Entertainment

A Musical About The Life Of Rock N’ Roll Legend Ritchie Valens Is Reportedly Being Developed For Broadway

It’s been more than 60 years since Rock N’ Roll legend Ritchie Valens tragically passed away but his legacy is still relevant today more than ever. That’s why a new stage musical about the rock pioneer is in the works, according to Deadline. The show, titled “Come On, Let’s Go,” a reference to his 1958 hit single, will be produced by Brad Garfield, while the play will be written by Richard Montoya. Los Lobos’ Louie Perez and David Hidalgo will be behind the original music and the show will be directed by Tony Taccone (Latin History for Morons).

The plan is to develop the production in southern California next year and hopefully bring the show to Broadway after that. It will focus on the life of Valens growing in the San Fernando Valley and his quick rise to Rock N’ Roll fame. This will be the first big project focusing on the life of Valens since the 1987 biopic “La Bamba.” Garfield has the backing of the Valens family and says the production is a tribute to his iconic role in music history. 

“We are excited to create an original rock musical–a rockumentary that needs to be told about a legendary pioneer…With 100 percent support from Ritchie’s three siblings who are still alive, our award-winning team is filled with desire, passion, and responsibility on keeping Ritchie’s true legacy alive,” Garfield said in a press release.

Ritchie Valens is not only an icon in Rock N’ Roll but a pioneer in the Chicano rock movement. 

The late Mexican-American star is beloved by countless Latinos who grew up playing his music and wanted to be just like him. To understand the importance of Ritchie Valens, you have to start with his upbringing in Pacoima, California where he grew up in a working-class Latino household. By the age of 17, Valens, a self-taught musician, was already a star in the San Fernando Valley playing local gigs. After meeting Bob Keane, the owner of the record label Del-Fi Records, an incredible recording career that lasted only eight months would ensue. 

It was instant stardom for Valens when his hit single “La Bamba,” which Valens adapted from a Mexican folk song, shot to the top of the music charts. With his fusion of guitar and vocals, Valens made the song his own and had a crossover hit that made him beloved in many Latino circles that never heard a Spanish-speaking rock star before. 

Just as his fame was rising, tragedy struck on February 3, 1959, a day described as the “Day the Music Died.” Valens, along with other hit rock & roll stars, J. P. “The Big Bopper” Richardson and Buddy Holly, died in a unfortunate plane crash. The tragic event would leave a gaping hole in the Rock N’ Roll industry that would be felt for decades. 

Ritchie Valens was just 17 years old at the time of his death. His song “Dona” would eventually peak at #2 on the Billboard Hot 100 after his death. Valens was posthumously inducted into the Rock & Roll Hall of Fame in 2001.

The upcoming production is a long time coming and is a well-deserved tribute to one of Rock N’ Roll’s biggest icons.

In an interview with Rolling Stone, Garfield, who plans to include never-before-heard music from Valens in the play, says that he wants to tell a new story about Valens that audiences might not be aware of. He says that most people connect Valens’s story with that of the 1987 film but instead, he wants the production to show who the Rock legend really was and his ensuing impact. 

“‘La Bamba’ was a great commercial success, but Ritchie wasn’t ‘La Bamba’ and ‘La Bamba’ wasn’t Ritchie,” Garfield said. “Ritchie’s music was diverse. It’s an exciting blend of true rock & roll.” 

Garfield hopes a whole new generation will get to learn and love Valens and his incredible rise to fame that left the world wanting more. With a musical, that will include songs that influenced Ritchie himself, fans should be in for an amazing show that will only serve as another reminder of his legacy. 

“Ritchie lived the American Dream, which wasn’t an easy task for a Chicano in the late 1950s and, as we see in our world today, these difficulties and prejudices that Ritchie faced are still a reality in 2019. Ritchie was a pioneer, and he had an original sound that truly opened the door to Latin rock & roll,” Garfield said. “His journey is a journey that needs to be told in a documentary-type of way through his music and new music by no other than Louie Perez and David Hildalgo of Los Lobos. They encompass the true meaning  and understanding of who Ritchie was.”

READ: So Brazil Has A Netflix Show Called “The First Temptation Of Christ” And In It Jesus Is Gay And Brazilians Are Furious

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Mariah Carey’s ‘Save The Day’ Video Pays Homage To Black Lives Matter And Breonna Taylor

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Mariah Carey’s ‘Save The Day’ Video Pays Homage To Black Lives Matter And Breonna Taylor

Mariah Carey says it’s powerful to be Black.

The beloved singer-songwriter with a five-octave vocal range is calling for the use of that power with her latest music video for her new song “Save the Day.” The song which features Lauryn Hill summons her fans to take action this year and vote their hearts out. The new single comes from Carey’s new two-disc compilation album, The Rarities which is available now and is a reminder that when it comes to our future “it’s up to us.”

And while the message behind “Save the Day” is getting quite a bit of love for how powerful it is, really it’s its drive to elevate Black Stories that is getting attention.

The animated music video for “Save the Day” dropped on October 22 and rhapsodizes the song’s theme “of citizenship—more important than ever in a tumultuous era marked by a global pandemic, political and social uprisings, and a looming presidential election.”

To create the animated music video, Carey partnered with ​PushBlack​, a non-profit media organization that produces Black stories, to honor Black influencers. Kerry Washington, PushBlack’s Julian Black, and the agency Maestra’s De’Ara Balenger and Zara Rahim worked to produce the film. Throughout the animated video, portraits of important Black people and essential workers come across the screen.

The video pays tribute to Black Lives Matter inspiration Breonna Taylor, Congressman John Lewis, Sojourner Truth, Fredrick Douglass, and trans activist Raquel Willis with powerful animations. The video also features essential workers.

The beautifully drawn portraits are drawn by artist Molly Crabapple who also illustrated A Message from the Future With Alexandria Ocasio-Cortez.

A Message from the Future With Alexandria Ocasio-Cortez is a 2019 Emmy award-nominated video about Alexandria Ocasio-Cortez.

This isn’t the first video created for “Save the Day.”

Carey issued another version of the video for the song at the opening ceremony for the Women’s U.S. Open. The animated version however works to illustrate the song’s themes in a way that works as a call to action to all watching to do their part in restoring our democracy.

“Our country is at a critical moment in history, and I felt compelled to do what I could using my platform of music to encourage us all to take action,” Carey said in a statement about the video. “My hope is that the ​’Save The Day’ video will serve as an inspiring message and spark meaningful dialogue and action across the country, for each of us to do our part to save the day.’ The lyrics of this song are all about doing your part to make a difference and highlighting the impact that each of us can make. Whether you’re an essential worker, a protestor, a student, a young parent making it work, or a first-time voter, we each have a duty to support our communities.”

Speaking about her daughter’s appearance in the video, Tamika Palmer issued a press announcement.

“Breonna’s life was tragically and wrongfully taken from her, but her death cannot be in vain,” Palmer stated. “There is so much at stake and we all must do our part. Having my beautiful daughter featured in the video is a testament to our people coming together in the face of tremendous adversity.”

Check out the Lyrics to “Save the Day” below

[Intro: Mariah Carey]
We’re all in this together
You’re my only hope
And it’s too divided, too deep to understand
But if we don’t do it, tell me, who will?
Oh, we always say these words that don’t mean too much
I wonder, where is the love?
It’s curious
The fear still holding us down
One day, will we look up?

[Verse 1: Mariah Carey]
You got a right to your own opinion
But when it comes to the world we live in
Isn’t it time that we start rebuilding
All of the things that have basically crumbled?
We all tend to forget that
We all cease to exist if
Wе all live for ourselves
If nobody bothеrs to find a solution

[Chorus: Mariah Carey]
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day, woah, oh
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day

[Verse 2: Mariah Carey]
We’re all in this together
You’re my only hope (Only hope)
And it’s too divided, too deep to understand
But if we don’t do it, tell me, who will? Yeah
Always say these words that don’t mean too much
I wonder, where is the love?
It’s curious
That fear still holding us back
One day, will we look up?
It’s up to us

[Chorus: Mariah Carey]
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day, woah, oh
(To save the day, to save the day)
If he won’t, and she won’t, and they won’t, then we won’t (Come on, come on)
(Will we?) We won’t ever learn to save the day
(Ever learn, no)

[Bridge: Mariah Carey & Lauryn Hill]
La-la-la, la, la-la, la
Woah, la
Woah, la (Ah, ah, ah)
La
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day, woah, oh (To save the day)
If he won’t, and she won’t, and they won’t, then we won’t (And she won’t)
We won’t ever learn to save the day, woah, oh (I’ma have to learn to save the day)
If he won’t, and she won’t, and they won’t, then we won’t (All God’s children, all God’s children)
We won’t ever learn to save the day (All God’s children, to save the day)

[Outro: Mariah Carey]
We gon’ learn, we gon’ learn
Said we gotta learn

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As A Latin Music Fan, Here Are My Picks For The 2020 Latin Grammys

Entertainment

As A Latin Music Fan, Here Are My Picks For The 2020 Latin Grammys

Edward Berthelot / Getty Images

Last year’s Latin Grammys caused an uproar on social media after the nominees list was released. Many fans and artists noticed the lack of representation of the Reggaeton music genre. “Sin reggaeton no hay Latin Grammy,” read many of the posts on social media, but this year seems to be different. 

This year’s nominees accurately represent the changing culture in Latin music as it shifts more towards the reggaeton genre. Here are my top picks for some of my favorite categories. 

Record of the Year

Record of the Year is always one of the toughest picks as many of my favorite songs are included in this category. This year it seems pretty competitive as Bad Bunny’s Vete competes with Karol G and Nicki Minaj’s Tusa. Karol G is competing against herself with the song China by Anuel AA, Daddy Yankee, Karol G, Featuring Ozuna and J Balvin. But at the end, Tusa by Karol G and Nicki Minaj should take the win as the overall production of the song is what makes it so great. From the rhythm to the lyrics, Tusa deserves the Grammy. 

Album of the Year

In 2019, we had a lack of reggaeton nominees in this category, but this year the list includes two reggaeton superstars: Bad Bunny and J Balvin. Both are nominated for their joint album OASIS and their solo albums, Colores and YHLQMDLG. To me, it’s clear that the winner of this category will be Bad Bunny with YHLQMDLG. The 20-song album delivered Latin trap with a variety of moods, whether it was a post-breakup heartbreak, our on-pause summer anthems, or the heartfelt thank you at the end. This album was highly anticipated and it delivered.

Best New Artist

The top contestants in this category are Anuel AA,  Rauw Alejandro, and Cazzu. While Rauw Alejandro has had some big hits this year, such as “El Efecto,” “Tattoo,” “Elegi,” and “TBT,” it is very likely that Anuel AA will take the Grammy home. Anuel AA was snubbed from a best new artist nomination last year, but he has been very successful since then which shows his growth as a new artist. 

Song of the Year

While there are many great songs nominated in this category, “ADMV” by Maluma stands out the most. The song was released during quarantine and was written by the artist as a dedication to all the people in his life that he loves. The song, which touches upon love and growing old with one’s significant other is a very heartfelt balada and one that gives us a whole new side to Maluma. The lyrics of the song and the overall composition gives us all the feels and reminds us to hug our loved ones a little tighter and tell them that we love them. 

Best Regional Song 

The top nominees in this genre include Christian Nodal with AYAYAY! and Natalia Lafourcade con MI RELIGIÓN. While I am a huge fan of Natalia Lafourcade, Christian Nodal will most likely take the win with this upbeat and modern song. What makes the song work for Nodal is that it is still rooted in the regional genre. 

Best Short Form Music Video

If you haven’t seen J.Balvin’s video for Rojo, please do yourself a favor and watch it now! But be prepared with tissues, this video delivers pain, acceptance, and even a message to its viewers. The video starts with Balvin receiving the news that his daughter was born, as he rushes to the hospital on the phone with his mom, he crashes and dies. But he is not conscious of his death and his spirit makes it to the hospital. The rest of the video shows Balvin following the life of his daughter as she grows up. This video delivers an exceptional story in less than 5 minutes and is a grammy-winning performance. 

To see who will win be sure to tune in! The 21st annual Latin Grammys will air on Univision, Nov. 19, 2020.

READ: Maluma Is Keeping Us Up To Date On His Life In Quarantine And I Couldn’t Be More Grateful

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