Entertainment

SPOILER ALERTS: The Latest Episode Of HBO’s ‘Los Espookys’ Is Proof It Could Surpass GOT In Cult Status

On June 13 2019, HBO premiered “Los Espookys,” it’s Spanish-language horror comedy from the mind of Fred Armisen. Needless to say, we were immediate fans. Between the subtly hilarious script and its impeccable delivery, the series proved from episode one that it’s worth the watch. Don’t even get us started on how much we love the horror elements we’ve seen so far.

The second episode of “Los Espookys” is just as addictive and entertaining as the first. Titled “El Espanto de la Herencia,” the episode is so good, it demands a recap.

Here are some of the most spooky and most hysterical parts of “Los Espookys” episode two.

Last week, we met Renaldo, Úrsula, Tati and Andrés, four friends bonded by their love of horror.

HBO

The gang was encouraged by Renaldo’s uncle, Tio Tico, to pursue that passion and turn it into a career. Calling themselves Los Espookys, they were approached by a mysterious woman who wants to use their terrifying talents. With this in mind, it’s time to brainstorm how they’ll approach this next job.

However, before we can check in with Los Espookys, the series introduces us to the US Ambassador.

Horror DNA

Her name is US Ambassador Melanie Gibbons and she’s received an important letter. The letter — which is in Spanish, not coded as she first suspects — informs her that her friend Ignacio Ferracuti has died. However, he’s left his 18.9 billion peso fortune to whoever can survive a night in his haunted mansion.

To borrow Ambassador Gibbons words, “Okay, twist!” She’s been chosen as one of five strangers to compete for his fortune. It’s all very exciting for her.

Similarily, Los Espookys are excited for this upcoming challenge.

Horror DNA

We finally get to see to the official Los Espookys headquarters — which happens to be Renaldo’s garage. While Andrés pushes for avant-garde and challanging tricks, Renaldo wants to stick to the basics. Úrsula just wants confirmation that they’re going to be paid.

Meanwhile, back in LA, Tio Tico is in an unusual situation.

Horror DNA

Following last week’s encounter at a major celebrity party, Tico has been mistaken for an elusive artist. Due to this mix-up, he’s been roped into speaking at an art panel. The whole thing has snowballed and Tio Tico is just along for the ride.

Unfortunately, Andrés is finding it hard to balance his life as Prince of Chocolate and his spooky calling.

HBO

Being the heir to a chocolate fortune is hard. As his boyfriend reminds him, Andrés has duties he needs to commit to or else he will be removed as heir. However, the curious man is preoccupied with uncovering the mystery of his birth and his new side gig. What is a Chocolate Prince to do?

Finally, it’s the big night!

Horror DNA

Too bad Renaldo has been ditched by the other members of Los Espookys. Andrés, Úrsula y Tati have all shown up last minute, leaving Renaldo to set up. What’s worse, nobody hired the actors they need so Renaldo has to step in as the creepy butler. Let’s just say, the role is out of his range.

Still, the goal of the haunted house is to get rid of one contestant in particular. The Mysterious Woman announces to Los Espookys that Sr. Ferracuti’s son is a contestant and must not win. However, he seems impossible to shake with the frankly unimpressive scares.

Los Espookys are in a funk and they need some serious rallying.

HBO

Andrés is obsessed with the dead ends he keeps getting in his search for his origin. Úrsula is obsessed with getting paid. Tati is obsessed with Snap Chatting her shady internet boyfriend.

Renaldo is about to give up but some unexpectedly good advise from Tati inspires him. After a rallying call from Renaldo, Los Espookys are back. They’re going to pull off the scariest trick they can.

We don’t want to give away the ending, but the episode wraps up with the possibility of more jobs in their future.

HBO

Will Tati continue her internet relationship? Will Andrés learn the origins of his birth? What sort of adventure will Los Spookys get into next week? We’ll have to watch to find out.

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Sasha Calle Is Officially The DC Universe’s First-Ever Latina Supergirl

Entertainment

Sasha Calle Is Officially The DC Universe’s First-Ever Latina Supergirl

The DC Universe just got a heck of a lot more Brown.

This week, it was announced that 25-year-old actress Sasha Calle is poised to be the franchise’s newest superstar. Known for portraying Lola Rosales on “The Young and the Restless,” the actress will take on the role of Supergirl in the DC film franchise.

Her first appearance as Supergirl expected to debut in the upcoming movie “The Flash.”

Calle, who is of Colombian heritage, is set to become the first Latina ever to play the role of Supergirl.

Calle earned her first breakout role in 2018 after being cast in the long-running CBS daytime drama “The Young & The Restless” as a food truck owner and the youngest sister of brothers in the midst of a toxic rivalry.

Calle earned a Daytime Emmy nomination in the Outstanding Young Performer in a Drama Series category last year for her part in the series.

“On behalf of everyone at ‘The Young and the Restless,’ we’d like to congratulate Sasha Calle on making history and being chosen to play the first Latina Supergirl,” the daytime drama’s executive producer Anthony Morina and co-executive producer/head writer Josh Griffith shared in a statement. “The role of Supergirl is a perfect fit for someone of Sasha’s immense talent, and we wish her all the best as she takes on this groundbreaking role.”

According to Deadline, Calle beat out 425 actresses for the part of Supergirl.

Andy Muschietti director of The Flash gave Calle the good news about her role over Zoom.

“Can I freak out for a second?” Calle asked before announcing the news to someone offscreen. “I got it,” she said to the person off-camera while doing a dance in her chair. Turning back to Muschietti, Calle admitted “I’m probably not going to stop crying all day.”

Calle shared the moment to her Instagram admitting she was still processing the big news.

“A Latina superhero?!” Calle wrote of the news in Spanish. “On what planet?! Well, on this planet! What joy and what pride.” Thanking her mom, Calle wrote, “I adore you with everything I have. You are an example of a superhero.”

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HBO’s ‘Allen v. Farrow’ Documentary Sparks Potential Lawsuit

Entertainment

HBO’s ‘Allen v. Farrow’ Documentary Sparks Potential Lawsuit

Updated Feb. 24, 2021.

Dylan Farrow’s name has been tightly linked to the story she has been telling since 1992.

For three decades her account of being molested by her adoptive father, director Woody Allen, while in her mother Mia Farrow’s attic in Connecticut and molested her when she was seven years old has not wavered. She first told the story at the time of the incident to therapists, then she told police, and years later in 2014, she wrote an oped to the New York Times and again in 2017 for the Los Angeles Times. In 2018 she spoke about the incident in a televised interview with CBS and now she’s telling the same story, which many have cast doubt on in a four-part documentary from HBO titled Allen v. Farrow.

Allen v. Farrow investigates the abuse allegations and subsequent custody battle that gravely affected Farrow’s career but has only recently begun to create problems for Allen.

The new documentary series aired its first episode which examined the ways in which Allen’s behavior toward Dylan struck family, friends, and even a psychiatrist as inappropriate. The episode details how Allen took up an obsessive interest in Dylan after her adoption.

“I was always in his clutches,” Dylan remembered in the first episode. “He was always hunting me.” Dylan goes onto recall instances in which Allen would “direct” her on how to suck his thumb and what to do with her “tongue.” At one point a family friend backs up this behavior saying she’d seen Dylan doing this one time while other family members and acquaintances said they’d also witnessed Allen’s oddly sexual treatment of Dylan.

Allen has always denied the allegations brought forth by Dylan and has largely gotten away from the stain of such claims to continue his career based on the “woman scorned” trope.

Allen has proven to be the exception to the #MeToo movement in Hollywood despite many who claim to support the efforts to end sexual abuse in the industry. Prominent actresses like Scarlett Johansson, Blake Lively, Kate Winslet, Cate Blanchett, and even Selena Gomez worked with Allen in the decades after he was accused of abuse. Gomez starred alongside Timothée Chalamet in Allen’s 2017 film A Rainy Day in New York, which was eventually shelved by the movie’s production company, Amazon Studios after Dylan reiterated her claims in the 2017 op-ed.

Since the 90s, Allen has maintained that Farrow, his former partner of 12 years, conducted a smear campaign against him after she discovered his affair with her 21-year-old adopted daughter, Soon-Yi Previn.

At the time of their tumultuous divorce, which came as a result of the affair, Allen claimed that Dylan had been coached by Farrow. In response to the documentary, Allen denied interview requests for the documentary and described it after the fact as a “hatchet job riddled with falsehoods” and a “shoddy hit piece.”

As a result, Allen v. Farrow v. Skyhorse v. HBO might be up next. 

Skyhorse Publishing, the publisher behind Allen’s latest book, “Apropos of Nothing,” has threatened to sue the makers of the new docuseries for sampling excerpts from the famous director’s audiobook. 

“Neither the producers nor HBO ever approached Skyhorse to request permission to use excerpts from the audiobook,” Tony Lyons, president of Skyhorse said in a statement to the Los Angeles Times. “[W]e believe that its unauthorized use of the audiobook is clear, willful infringement under existing legal precedent . . . We will take the legal action we deem necessary to redress our and Woody Allen’s rights in his intellectual property,” the statement went on. 

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