Entertainment

Classic Christmas Song ‘Baby It’s Cold Outside’ Gets PC Makeover For 21st Century

We are in a new era in which women are demanding equal pay and saying enough is enough when it comes to sexual abuse. It’s a new stance that stems from the “Me Too” Movement and the “Women’s March” that shows women do not have to take it anymore. If you are woke you cannot be inappropriate. If you’re a fan of the cancel culture, then it’s time to shut out things from the past than don’t get a free pass any longer, including some of your most favorite things.

In light of the “Me Too” movement and canceling men who are too aggressive, John Legend and Kelly Clarkson have released a new version of “Baby It’s Cold Outside” that puts men and women on equal footing.

Credit: johnlegend / Instagram

The old classic Christmas song is part of Legend’s new Christmas special on Dec. 1 called “Christmas Under The Stars” that will air on BYUtv. Legend said it was time to change the original version because that song wasn’t acceptable anymore. Legend wrote the song with actress Natasha Rothwell from “Insecure.”

Before we discuss the new version, here’s the original version, which was written in 1944. 

Credit/ YouTube

The song, written by Frank Loesser, became a hit after it was featured in the 1949 movie “Neptune’s Daughter.” It was performed by Esther Williams and Ricardo Montalbán. It also went on to win an Academy Award for Best Original Song at the 22nd Academy Awards. The scene shows actress Williams attempting to leave and Montalbán’s character is trying to persuade her to stay. 

Here’s a portion of the problematic lyrics:

The neighbors might think, (baby, it’s bad out there)/ Say, what’s in this drink? (No cabs to be had out there)/ I wish I knew how, your eyes are like starlight now (To break this spell), I’ll take your hat, (your hair looks swell)/ I ought to say no, no, no, (mind if I move in closer?)/ At least I’m gonna say that I tried, (what’s the sense in hurting my pride?)/ I really can’t stay, (baby don’t hold out)/ Ah, but it’s cold outside.

Interestingly enough, this song wasn’t supposed to be in the film at all. The movie would have featured another Loesser song called “(I’d Like to Get You on a) Slow Boat to China.” However, the song was replaced because the studio felt it was inappropriate. They instead included “Baby It’s Cold Outside.” So, even back then they understood what would be seen as offensive. However, they had no issue with singing about a woman that is forced to stay with a man.

Here is the new politically correct/ anti-rape version of the song. 

Credit/ YouTube

Here are some of the lyrics. 

“I really can’t stay (Baby, it’s cold outside)/ I’ve got to go away (But, I can call you a ride)/ This evening has been (I’m so glad that you dropped in)/ So very nice (Time spent with you is paradise)/ My mom will start to worry (I’ll call the car and tell him to hurry)/ My daddy will be pacing the floor (Wait, what are you still livin’ at home for?)/ So, really, I’d better scurry (Your driver, his name is Murray)/ But maybe just a half a drink more (Oh, we’re both adults, so who’s keepin’ score?)/

AND

I ought to say, “No, no, no, sir” (Then you really ought to go, go, go)/ At least I’m gonna say that I tried (Well, Murray, he just pulled up outside)/

AND

I simply should go (Text me when you get home)/ Oh I’m supposed to say no (Mm, I guess that’s respectable)/ This welcome has been (I’ve been lucky that you dropped in)/ So nice and warm (But you better go before it storms).

You get the point. 

The obvious difference between the original and the new version is that the male isn’t insisting that she stays. If she wants to leave, he is helping her do just that, and not forcing her to stay. 

Credit: @johnlegend / Twitter

Legend tweeted, “New version of #BabyItsColdOutside! A welcome update or ‘PC Culture run amok & destroying everything great in the history of music?’ (????). You decide.”

So what does the world think about this new version for the Me Too era?

Credit: Twitter

It’s actually a mixed bag. Some people like it, some don’t.

At least one person has an issue with the new song because of this lyric…

Credit: @crybabykiani / Twitter

So, we guess Legend is now shaming people who still live at home? Wow.

But if you’re seriously not into the new version, it’s okay, you can still listen to the old one.

Credit: @crissyteigen / Twitter

Then again, it looks like Legend and Clarkson got rid of the old song for good.

READ: John Legend’s New Music Video Centered Around Immigration and Deportation Will Leave A Lump In Your Throat

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Mariah Carey’s ‘Save The Day’ Video Pays Homage To Black Lives Matter And Breonna Taylor

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Mariah Carey’s ‘Save The Day’ Video Pays Homage To Black Lives Matter And Breonna Taylor

Mariah Carey says it’s powerful to be Black.

The beloved singer-songwriter with a five-octave vocal range is calling for the use of that power with her latest music video for her new song “Save the Day.” The song which features Lauryn Hill summons her fans to take action this year and vote their hearts out. The new single comes from Carey’s new two-disc compilation album, The Rarities which is available now and is a reminder that when it comes to our future “it’s up to us.”

And while the message behind “Save the Day” is getting quite a bit of love for how powerful it is, really it’s its drive to elevate Black Stories that is getting attention.

The animated music video for “Save the Day” dropped on October 22 and rhapsodizes the song’s theme “of citizenship—more important than ever in a tumultuous era marked by a global pandemic, political and social uprisings, and a looming presidential election.”

To create the animated music video, Carey partnered with ​PushBlack​, a non-profit media organization that produces Black stories, to honor Black influencers. Kerry Washington, PushBlack’s Julian Black, and the agency Maestra’s De’Ara Balenger and Zara Rahim worked to produce the film. Throughout the animated video, portraits of important Black people and essential workers come across the screen.

The video pays tribute to Black Lives Matter inspiration Breonna Taylor, Congressman John Lewis, Sojourner Truth, Fredrick Douglass, and trans activist Raquel Willis with powerful animations. The video also features essential workers.

The beautifully drawn portraits are drawn by artist Molly Crabapple who also illustrated A Message from the Future With Alexandria Ocasio-Cortez.

A Message from the Future With Alexandria Ocasio-Cortez is a 2019 Emmy award-nominated video about Alexandria Ocasio-Cortez.

This isn’t the first video created for “Save the Day.”

Carey issued another version of the video for the song at the opening ceremony for the Women’s U.S. Open. The animated version however works to illustrate the song’s themes in a way that works as a call to action to all watching to do their part in restoring our democracy.

“Our country is at a critical moment in history, and I felt compelled to do what I could using my platform of music to encourage us all to take action,” Carey said in a statement about the video. “My hope is that the ​’Save The Day’ video will serve as an inspiring message and spark meaningful dialogue and action across the country, for each of us to do our part to save the day.’ The lyrics of this song are all about doing your part to make a difference and highlighting the impact that each of us can make. Whether you’re an essential worker, a protestor, a student, a young parent making it work, or a first-time voter, we each have a duty to support our communities.”

Speaking about her daughter’s appearance in the video, Tamika Palmer issued a press announcement.

“Breonna’s life was tragically and wrongfully taken from her, but her death cannot be in vain,” Palmer stated. “There is so much at stake and we all must do our part. Having my beautiful daughter featured in the video is a testament to our people coming together in the face of tremendous adversity.”

Check out the Lyrics to “Save the Day” below

[Intro: Mariah Carey]
We’re all in this together
You’re my only hope
And it’s too divided, too deep to understand
But if we don’t do it, tell me, who will?
Oh, we always say these words that don’t mean too much
I wonder, where is the love?
It’s curious
The fear still holding us down
One day, will we look up?

[Verse 1: Mariah Carey]
You got a right to your own opinion
But when it comes to the world we live in
Isn’t it time that we start rebuilding
All of the things that have basically crumbled?
We all tend to forget that
We all cease to exist if
Wе all live for ourselves
If nobody bothеrs to find a solution

[Chorus: Mariah Carey]
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day, woah, oh
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day

[Verse 2: Mariah Carey]
We’re all in this together
You’re my only hope (Only hope)
And it’s too divided, too deep to understand
But if we don’t do it, tell me, who will? Yeah
Always say these words that don’t mean too much
I wonder, where is the love?
It’s curious
That fear still holding us back
One day, will we look up?
It’s up to us

[Chorus: Mariah Carey]
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day, woah, oh
(To save the day, to save the day)
If he won’t, and she won’t, and they won’t, then we won’t (Come on, come on)
(Will we?) We won’t ever learn to save the day
(Ever learn, no)

[Bridge: Mariah Carey & Lauryn Hill]
La-la-la, la, la-la, la
Woah, la
Woah, la (Ah, ah, ah)
La
If he won’t, and she won’t, and they won’t, then we won’t
We won’t ever learn to save the day, woah, oh (To save the day)
If he won’t, and she won’t, and they won’t, then we won’t (And she won’t)
We won’t ever learn to save the day, woah, oh (I’ma have to learn to save the day)
If he won’t, and she won’t, and they won’t, then we won’t (All God’s children, all God’s children)
We won’t ever learn to save the day (All God’s children, to save the day)

[Outro: Mariah Carey]
We gon’ learn, we gon’ learn
Said we gotta learn

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As A Latin Music Fan, Here Are My Picks For The 2020 Latin Grammys

Entertainment

As A Latin Music Fan, Here Are My Picks For The 2020 Latin Grammys

Edward Berthelot / Getty Images

Last year’s Latin Grammys caused an uproar on social media after the nominees list was released. Many fans and artists noticed the lack of representation of the Reggaeton music genre. “Sin reggaeton no hay Latin Grammy,” read many of the posts on social media, but this year seems to be different. 

This year’s nominees accurately represent the changing culture in Latin music as it shifts more towards the reggaeton genre. Here are my top picks for some of my favorite categories. 

Record of the Year

Record of the Year is always one of the toughest picks as many of my favorite songs are included in this category. This year it seems pretty competitive as Bad Bunny’s Vete competes with Karol G and Nicki Minaj’s Tusa. Karol G is competing against herself with the song China by Anuel AA, Daddy Yankee, Karol G, Featuring Ozuna and J Balvin. But at the end, Tusa by Karol G and Nicki Minaj should take the win as the overall production of the song is what makes it so great. From the rhythm to the lyrics, Tusa deserves the Grammy. 

Album of the Year

In 2019, we had a lack of reggaeton nominees in this category, but this year the list includes two reggaeton superstars: Bad Bunny and J Balvin. Both are nominated for their joint album OASIS and their solo albums, Colores and YHLQMDLG. To me, it’s clear that the winner of this category will be Bad Bunny with YHLQMDLG. The 20-song album delivered Latin trap with a variety of moods, whether it was a post-breakup heartbreak, our on-pause summer anthems, or the heartfelt thank you at the end. This album was highly anticipated and it delivered.

Best New Artist

The top contestants in this category are Anuel AA,  Rauw Alejandro, and Cazzu. While Rauw Alejandro has had some big hits this year, such as “El Efecto,” “Tattoo,” “Elegi,” and “TBT,” it is very likely that Anuel AA will take the Grammy home. Anuel AA was snubbed from a best new artist nomination last year, but he has been very successful since then which shows his growth as a new artist. 

Song of the Year

While there are many great songs nominated in this category, “ADMV” by Maluma stands out the most. The song was released during quarantine and was written by the artist as a dedication to all the people in his life that he loves. The song, which touches upon love and growing old with one’s significant other is a very heartfelt balada and one that gives us a whole new side to Maluma. The lyrics of the song and the overall composition gives us all the feels and reminds us to hug our loved ones a little tighter and tell them that we love them. 

Best Regional Song 

The top nominees in this genre include Christian Nodal with AYAYAY! and Natalia Lafourcade con MI RELIGIÓN. While I am a huge fan of Natalia Lafourcade, Christian Nodal will most likely take the win with this upbeat and modern song. What makes the song work for Nodal is that it is still rooted in the regional genre. 

Best Short Form Music Video

If you haven’t seen J.Balvin’s video for Rojo, please do yourself a favor and watch it now! But be prepared with tissues, this video delivers pain, acceptance, and even a message to its viewers. The video starts with Balvin receiving the news that his daughter was born, as he rushes to the hospital on the phone with his mom, he crashes and dies. But he is not conscious of his death and his spirit makes it to the hospital. The rest of the video shows Balvin following the life of his daughter as she grows up. This video delivers an exceptional story in less than 5 minutes and is a grammy-winning performance. 

To see who will win be sure to tune in! The 21st annual Latin Grammys will air on Univision, Nov. 19, 2020.

READ: Maluma Is Keeping Us Up To Date On His Life In Quarantine And I Couldn’t Be More Grateful

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