Entertainment

Selena Quintanilla’s Family Decided That ‘Fiesta De La Flor’ Will No Longer Take Place In Corpus Christi, Where Is It Moving To Next?

Even after her death, Selena Quintanilla’s music has lived on. The iconic Tex-Mex superstar left a legacy that is still very much alive. Her music is still being played on the radio and streamed online, her face is sold on T-shirts and other merch around the world, her story continues to inspire new TV and Movie projects. And yet, for some reason, the Quintanilla’s Fiesta de la Flor Festival —an annual music event in honor of Selena— isn’t being held at Selena’s hometown Corpus Christi, or at all.

The Quintanilla family announced that the yearly festival honoring Selena’s legacy will no longer be held in Corpus Christi.

credit Instagram @fiestaflorcc

Corpus Christi is synonymous with Selena Quintanilla. The coastal Texas city is where the singer lived and died, it’s also where her family continues to live to this day. In Corpus Christi, Selena fans can visit a museum dedicated entirely to the Queen of Tex-Mex. And for the past five years, the city had also been host to the family held festival, ‘Fiesta de la Flor’. The Quintanillas announced recently, however, that the festival will no longer take place in Corpus Christi. No word yet on where the festival might move to yet.

The news came in a media release from Q Productions.

Credit Instagram @abquintanilla

“Unfortunately, even beautiful journeys must come to an end. In Selena’s beautiful spirit, the Selena Foundation has contributed thousands of dollars to organizations in Corpus Christi for the betterment of the community. The Selena Foundation is committed to continuing Selena’s belief that the impossible is possible.” Much of the rest of the statement was dedicated to thanking a long list of organizations, including the Corpus Christi Convention and Visitors Bureau, for their support in the last five years.

No word yet on where the festival may land, if anywhere.

credit Instagram @fiestaflorcc

No further information was disclosed about where the festival might be taking place. Or whether it will happen at all. Why did they pull the plug from the Corpus Christi? Back in August, it was reported that the family had threatened to stop celebrating the festival in Corpus Christi because of money issues. It was speculated that the amount of money the city was generating from the festival was disproportionately larger than what the Selena Foundation was receiving. 

According to Corpus Christi Caller Times, this year, for the first time since the inception of the festival in 2015, Fiesta de la Flor did not bring in a profit. The festival generates an estimated “$10.8 million economic impact for the city every year,” yet the Selena Foundation has made less than $100,000 in the four years of the festival.

Corpus Christi Convention and Visitors Bureau CEO quit after being criticized for giving the Quintanillas a larger sum of money than what been agreed before.

credit Twitter @Kris6news

The Corpus Christi Convention and Visitors Bureau CEO Paulette Kluge said that the amount was unacceptable. She said that “the city is making millions of dollars.” Because the bureau is now taking $50,000 from the festival to the foundation, that concludes the festival has no profit to report for this year. “Everybody is benefiting except the Selena Foundation, and they said, ‘It is unacceptable, and if we don’t get something for the Selena Foundation, there will not be another Fiesta de la Flor,’ ” Kluge said, according to the Caller Times. “So I agreed to pay them $35,000 last year, which was all of our profits, and $50,000 moving forward.”

Paulette Kluge recently resigned to her post at the bureau after being criticized for changing the contract with the Quintanillas —raising the family’s profits for the upcoming festival by $15,000—  without input from other officials. Kluge had the legal power to rewrite a contract that she was instrumental in creating. But the CVB Board and City Council were not happy with the new terms. Kluge is credited with building a relationship with the Quintanillas which would later lead to the birth of Fiesta de La Flor.

The two-day festival celebrating the queen of Tejano, had been held in Selena’s hometown for 5 years.

credit Instagram @fiestaflorcc

The festival began in 2015 and has brought about $15 million in economic benefit to the city each year. Formerly sponsored by Citgo, the next festival had a new benefactor lined up. Hermann and Hermann, a law firm based out of Corpus Christi with offices in San Antonio and McAllen, signed on to be the 2020 sponsor.

Corpus Christi Caller Times reported that when reached for information, the Quintanilla family and Q Productions declined to comment. Which leaves us with many unresolved questions. There is no website for the foundation. A quick Google search showed a 2016 article in which it says that the foundation was formed to honor Selena’s legacy as well as give scholarships. However, the foundation has faced some tax issues in the past and is not considered a nonprofit.

And even though we don’t know for certain, why the family pulled the festival from Corpus Christi or when we’ll get to celebrate the Latina icon again, we will be looking forward to finding out where Fiesta de La Flor is going to next.

Chiquis And Becky G Release Video For Spanish-Language Version Of Dolly Parton’s Hit Song ‘Jolene’

Entertainment

Chiquis And Becky G Release Video For Spanish-Language Version Of Dolly Parton’s Hit Song ‘Jolene’

ChiquisOnline / YouTube

Dolly Parton’s “Jolene” is arguably one of the most iconic songs in American music. We have all heard bits and pieces of the song growing up because it is just that iconic. After almost 50 years, “Jolene” has another Spanish-language cover brought to us by Becky G and Chiquis.

Spanish-speaking country music fans have a new cover to celebrate.

Becky G and Chiquis have released the music video for their Spanish-language cover of the American classic song “Jolene.” Originally released by Dolly Parton in 1973, “Jolene” is one of those songs that have become a timeless classic of American music.

Country music is quickly becoming a favorite genre in the Latino community. There has been a 25 percent increase in Latino support of country music. When you consider how many Latinos live in the south in states like Texas, it kind of makes sense.

Rolling Stone magazine claimed that it was the first Spanish-language cover of the song.

The magazine got called out on Twitter after claiming that this was the first Spanish-language cover of “Jolene.” The cover by regional Mexican music divas Becky G and Chiquis is good but it is not the first.

The first Spanish-language cover of “Jolene” is by Las Chicas del Can.

The Dominican group recorded “Youlin” in 1985 and the merengue take on the song is really fun to listen to. The version from the girl group is a very different take and feel on the song as compared to Becky G and Chiquis. The two songs are very different and both are very fun to listen to.

Either way, fans of country and regional Mexican music are here for this.

The music video is an animated rollercoaster with Becky G and Chiquis playing tough mujeres doing their thing. The music video is set up like a comic book because we all know that the most amazing superhero stories are comic books. Tbh, these two looked perfect in their tough acting roles.

If you want to listen to the original “Jolene,” here it is.

Truly, this will probably remain one of the greatest American classics of all time.

READ: Becky G Performs Tribute To Selena At San Antonio Concert

Conciencia Collective Is Bringing Together Artists To Tackle The Real Issues

Entertainment

Conciencia Collective Is Bringing Together Artists To Tackle The Real Issues

goyocqt / rafapabonmusic / Instagram

Conciencia Collective is bringing together some of the biggest names in entertainment to tackle some of the biggest issues. The Black Lives Matter protests have led to some long-needed change to police in Black and brown community. Afro-Latinos have been in the fight against the police brutality mixed with the anti-Blackness from fellow Latinos. On June 26, three Afro-Latinos will discuss the movement and the need to ensure that Black Lives Matter.

Check out the discussion today on YouTube, Conciencia’s Facebook, or mitú’s Facebook.

The death of George Floyd has ignited a fight for Black lives that we haven’t seen in a long time.

Thousands of people have been protesting against police brutality and are demanding a change to policing in the U.S. The protests have been ongoing for weeks and they are creating change. States and cities across the country have started to reduce funding for police departments. Congresspeople and senators are calling for a federal change to policing in the U.S. through legislation.

Major corporations have joined social media solidarity in support of Black Lives Matter. People are now holding those corporations accountable. Protesters want to see these same corporations follow through and offer resources to help in the fight.

Gloria “Goyo” Martínez, the Afro-Colombian singer, will be there to discuss the movement in Latin America.

The singer from ChocQuibTown wrote an open letter addressing the death of George Floyd. She did not hold back when she talked about the racism she was seeing from people in Latin America in the face of the violence.

“The great reality is that there is no racial equality in the United States or Latin America,” Goyo wrote. “I saw many comments, hundreds of people normalizing the subject saying, ‘But this also happens to white people,’ ‘But black people are criminals,’ ‘Maybe if they dressed like normal people,’ ‘They’re just hurt’ or ‘You are the racists by posting messages that only produce more pain.'”

Goyo is a big proponent of education leading the way to an anti-racist and more accepting future.

“It’s clear to me that ethno-education (or cultural and intercultural education) is the path to becoming antiracists. Learning about other cultures is important for understanding the context in which we are living,” Goyo says. “There are Afro-Latinxs, who because of a lack of education on this subject, don’t know their history, nor do they identify as Afros until they leave their countries and are discriminated for being Latinxs and for being Black. If many Afro-Latinxs are unaware, imagine a white/mixed music industry making decisions based on misguided marketing studies, which exclude and stereotype based on skin color. In Latin America, there aren’t real statistics on the Afro population. Knowing the situation that more than 100 million Black people live in would help in understanding the issue, there is a lot of history and many organizations have been working on racism. Today continue to raise their voices. Continuing to speak openly would help industries not to reinforce racist stereotypes, to continue to close the doors that are opened thanks to talent.”

Rafa Pabón is another voice on the panel this week.

The trapero is calling for a unity in the Latino community to fight against the racism that is plaguing every aspect of society. Pabón wants to know that protesters and BLM supporters are not backing down from fighting against racism.

“It is important that we mobilize and use our voices. We cannot normalize this kind of situation. Racism is inhuman and I have never understood it. We have to fight together against institutional racism,” Pabón says. “There is still so much to do, Floyd is one of so many cases, we cannot stop fighting for justice.”

Sociologist Aurora Vergara-Figueroa will be the moderator of the event.

Aurora Vergara Figueroa is the director of the Afrodiasporic Studies Center (Centro de Estudios Afrodiaspóricos) at Icesi University in Cali, Colombia. The Afro-Colombian scholar holds a Ph.D. from the Sociology Department of the University of Massachusetts Amherst. She concentrated on the sociological study of Afro-Colombians deracinated from the Colombian Pacific coast and the long durée of land dispossession in the world-system. Recipient of the LASA/OXFAM America 2014 Martin Diskin Dissertation Award, Vergara-Figueroa develops research on the Afrodiasporic feminist movement in Colombia. Vergara-Figueroa is currently working with Doctor Carmen Cosme Puntiel on a co-edited volume tentatively titled: Challenging Enslavement: Black Women’s Strategies of Resistance in Nueva Granada (Colombia), Venezuela, Brazil, and Cuba 1550-1900.

Her main research interests are Feminist Critique, African Diaspora Studies, Sociological Theory, Critical Race Theory, Political Economy, Political Sociology, and Comparative Historical Sociology.

We are Conciencia Collective, an alliance against racial and social injustice conscious of the need to create long-lasting and impactful changes. Comprising of +35 executives from the Latin music industry including activists, journalists, managers, publicists, lawyers, directors, on-air talent, and content creators who came together in solidarity with the Black Lives Matter movement to create awareness about racial and social injustice with the intention to educate our colleagues, artists, and peers of influence in order to gain their advocacy. Our ongoing initiatives also focus on the many issues affecting our Latin community.

READ: Model Joan Smalls Is Donating Half Of Her Salary To Black Lives Matter