Entertainment

AOC Takes to Twitter to Defend Taylor Swift Against Greedy Music Execs Trying to Keep Her From Using Her Own Music

Representative Alexandria Ocasio-Cortez has used her short career to be a champion of many worthy causes. Before she even entered the political arena, she visited embattled communities like Standing Rock and Flint, Michigan in order to learn more about the environmental crises taking place. She’s since turned that environmentalism into support for the Green New Deal, a legislation that aims to address climate change and economic inequality. AOC has also been a vocal opponent of the Trump administration’s border wall and their oppressive take on immigration. On top of these important causes, the representative from New York is a great advocate for women’s rights. 

It’s with this advocacy in mind that AOC took to Twitter on Friday evening to tweet her support for Taylor Swift during the artist’s latest professional battle. 

Twitter / @taylorswift13

The defense comes from a Thursday evening tweet from Swift. In the tweet, the musician shares that, though she is being named “Artist of the Decade” by the American Music Awards, there’s a damper to her happy news. According to Swift, issues with Big Machine Records’ music executives were keeping her from being able to have access to all of the songs previous to her latest album, “Lover.” 

The two execs, Scott Borchetta and Scooter Braun, own the masters to Swift’s earlier works and, as such, can control whether or not to she’s allowed to use them. According to the deal she signed with Republic Records and Universal Music Group in 2018, Swift is not allowed to re-record her earlier songs until 2020. It’s important to note that neither of these men had anything to do with the creation of these songs.

“I’ve been planning to perform a medley of my hits throughout the decade on the show,” the tweet read. “Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that they would be re-recording my music before I’m allowed to next year.”

Additionally, Swift explained that she had an upcoming documentary about her life in the works with Netflix. 

Twitter / @THR

Just like with the American Music Awards, the musician shared that the executives were again refusing to allow her to use old clips of her performances or any new renditions of these old songs. The note went on to request that fans let Braun and Borchetta know that they’re Team Taylor all the way.

Borchetta reportedly told Swift’s team that she could in fact use these earlier songs on two conditions. One, the musician would loose the right to re-record these songs for the year of 2020. The second condition was that Swift had to stop publicly discussing Braun and Borchetta. 

This is when AOC got into the mix with her response to Swift’s tweet. 

Twitter / @AOC

A longstanding opponent of major corporations, the representative likened the situation with Swift’s music rights to private equity groups. AOC responded to the music controversy with a call to action demanding that the music executives be “reigned in.”

“Private equity groups’ predatory practices actively hurt millions of Americans,” Ocasio-Cortez wrote. “Their leveraged buyouts have destroyed the lives of retail workers across the country, scrapping 1+ million jobs. Now, they’re holding Taylor Swift’s own music hostage.”

If you’re thinking that AOC’s support is proof that she’s a closet Swiftie, it’s actually much deeper than that.

Twitter / @AOC

Since AOC is a champion for middle and low income America, it might seem unexpected for her to back Swift who is a multimillionaire. However, the musician’s problem is one that the representative has been fighting against. As Ocasio-Cortez explained on Twitter, millions of Americans have been impacted by private equality firms. These firms buy businesses and liquidate them in order to squeeze out all of the profitability they can without concern for their employees. This results in employees being laid off, having to make due with reduced pay and/or hours and losing benefits like insurance and severance packages. 

By relating the two problems together, AOC was able to make a series of tweets about an important policy go viral and reach a huge audience. In fact, her initial tweet in response to Swift earned nearly 80K likes and almost 15K retweets. 

Whether it was thanks to Representative Ocasio-Cortez’s attention or the public pressure, this story now has a satisfying ending. 

Twitter / @THR

The music execs at Swift’s former record label and Dick Clark Productions, producer of the American Music Awards, have come to an agreement. In the press release issued by Big Machine Records, details of the agreement were laid out so all of the label’s artists are cleared for performance. 

No word yet if AOC will be tuning into Swift’s American Music Award appearance but hopefully she knows that she helped to make that performance a reality. 

Notice any needed corrections? Please email us at corrections@wearemitu.com

Kali Uchis’ “Telepatía” is Becoming a Global Hit Thanks to TikTok

Latidomusic

Kali Uchis’ “Telepatía” is Becoming a Global Hit Thanks to TikTok

Through the power of TikTok, telepatia kali uchis is going to the top. The Colombian-American singer is sitting comfortably in the top 10 of Spotify’s Top 200 chart in the U.S. thanks to a TikTok trend.

This isn’t the first time that TikTok brought new fame to songs.

TikTok has proven to be quite the catalyst for today’s top hits. The app assisted in getting Olivia Rodrigo’s “drivers license” to the top of Billboard Hot 100 chart, where it remains. TikTok also reinvigorated interest in Fleetwood Mac’s “Dreams” last year thanks to Doggface’s viral video. Now Uchis is getting her long overdue shine with “Telepatía.”

“Telepatía” is becoming a global hit thanks to the same phenomenon.

At No. 7 on the Spotify U.S. chart, “Telepatía” is the highest-charting Latin song in the country. Bad Bunny’s “Dákiti” with Jhay Cortez is the next closest Latin song at No. 14. “Telepatía” is also making waves across the globe where the song is charting on Spotify’s Viral Charts in 66 countries and in the Top Songs Charts of 32 countries.

There’s also plenty of “Telepatía” memes.

Uchis is turning the viral song’s success into strong sales and streaming. On this week’s Billboard Hot Latin Songs chart, “Telepatía” debuts at No. 10, marking her first top 10 hit on the chart. There are also memes circulating on other social media apps that are contributing to the song’s virality.

“Telepatía” is one of the key cuts on Uchis’ debut Latin album, Sin Miedo (del Amor y Otros Demonios). It’s the best example of her translating that alternative soul music that she’s known for into Spanish. The song is notably in Spanglish as Uchis sings about keeping a love connection alive from a distance. It’s timely considering this era of social distancing that we’re in during the COVID-19 pandemic.

Uchis is currently nominated for a Grammy Award. She’s up for Best Dance Recording for her feature on Kaytranada’s “10%” song.

Read: You Have To Hear Kali Uchis Slay This Classic Latino Song

Notice any needed corrections? Please email us at corrections@wearemitu.com

Kehlani Dresses as Both Prom King and Queen on Cover of ‘Playboy’, Talks Feeling Comfortable in Both Gender Roles

Entertainment

Kehlani Dresses as Both Prom King and Queen on Cover of ‘Playboy’, Talks Feeling Comfortable in Both Gender Roles

Photo via kehlani/Instagram

Kehlani has long been open about the fluid nature of her gender expression. That’s why it’s exciting that the R&B star is experimenting with different facets of her personality on the most recent cover of Playboy.

In a bold move, Kehlani appears on Playboy‘s latest cover dressed in both (traditionally) women and (traditionally) men’s clothing.

And as if one Kehlani isn’t exciting enough, the magazine cover treats us to two versions of this Oakland native. On the left side of the magazine, Kehlani is dressed up as a Prom Queen, complete with a resplendent gown and a tiara. On the cover’s right side, Kehlani is dressed in Prom King drag: her tie undone, her collar open, her crown askew.

She shared the picture to her personal Instagram page with the cheeky caption: “I always wanted to date me.”

In the accompanying interview, Kehlani talks about gender identity and expression, motherhood, and owning her sexuality.

When Kehlani was asked how she defines masculinity and femininity, Kehlani got refreshingly candid. “I’ve discovered that I’ve run from a lot of femininity,” she admitted. “I was way more comfortable in a more masculine space. I feel more masculine when I am in my stillness and I’m grounded in a quiet, contemplative mode.”

She then explained that she feels “most feminine” when she’s “being the mother of my house.” (Kehlani had a baby girl named Adeya Nomi in 2019). She also explained that she “feels her femininity” when she ‘s indulging in self-care, like soaking in a flower-filled bath, or doing a hair mask.

“My femininity makes me feel soft and gentle and tender and careful in a different way than my masculinity makes me feel,” she said. “I’m trying not to let it fall into the gender norms of feminine and masculine, but for me it does a tiny bit. But I also am very fluid in both of those settings.”

Kehlani has always been open about her fluid sexuality and gender identity.

In 2018, she tweeted: “Not bi, not straight. I’m attracted to women, men, REALLY attracted to queer men, non-binary people, intersex people, trans people”.

But of course, haters on the internet accused her of “queer-baiting”–that is, pretending she’s queer to get more LGBT fans and attract attention. In an interview with The Guardian last year, she revealed why the accusation frustrates her.

“I’ve had girlfriends in front of people’s faces, right under their noses, and they weren’t famous and so nobody cared to make it public,” she said. “So they automatically assume that I must like men more than women.”

Notice any needed corrections? Please email us at corrections@wearemitu.com