Laquisha Jones has been sentenced to 15 years for the physical attack on 91-year-old Rodolfo Rodriguez in Willowbrook, California on July 4, 2018. The attack was witnessed by a passing motorist who took video of the bloodied Rodriguez and snapped a picture of Jones for police.
Laquisha Jones is facing 15 years in prison following a brutal attack last year.
Jones was charged with felony elder abuse in December following her attack on Rodriguez in July 2018. Jones attacked Rodriguez with a brick claiming he tried to touch her daughter as he passed them on the sidewalk. According to ABC 7 News, Jones was on probation after being convicted for making criminal threats. As part of a plea agreement, Jones pleaded no contest to the charge of elder abuse in order to avoid the heavier charges of attempted murder and elder abuse with a hate crime component, according to the New York Times.
Jones was facing a possible hate crime charge added to her case because she was reported to tell Rodriguez to “go back to your country” during the attack. The attack left Rodriguez with a broken jaw, broken cheekbones, broken ribs, and bruises all over his body.
Rodriguez claims there was a group of men that helped Jones in the attack.
Rodriguez and a witness of the attack, Misbel Borjas, told authorities that four men joined in on the attack. According to Borjas, Jones told the men that Rodriguez tried to touch her daughter and they joined in attacking Rodriguez.
Immediately after the attack, Borjas took video of a bloodied and bruised Rodriguez as he laid on the grass. She also took a photo of Jones holding the brick used in the attack to turn over to the police.
A photo of the woman taken by a witness was a pivotal part of finding and arresting the man’s attacker.
Jones was booked and the bail was set at $1.1 million because of the assault and violation of probation. Despite trying to hide from her attorney in the news footage, Jones was held accountable for her actions in the end and entered a plea deal that lowered her crimes.
The attack garnered national attention because of the victim’s age and number of attackers.
Jones was arrested just days after the attack in July 2018 and was in county jail waiting for her court date in December. The unprovoked attack made headlines since Rodriguez was visiting his family from Michoacán, Mexico, which he frequently did.
Rodriguez is pleased with the decision in court.
According to KCAL9, Rodriguez said he is “happy and good, thanks to God” after the sentencing. He continued through an interpreter that “everyone makes mistakes. We have to forgive each other because God forgives us.”
It’s 1970. Groans of discomfort permeate a Los Angeles County Hospital hallway as a Mexican-American woman is in labor. This is going to be her first child.
Little does she know that it’ll also be her last.
“This is an example of erasure,” director Kathryn Boyd-Batstone told mitú.
For Rosa, details a harrowing reality for many women of color in 1970s California. Inspired by the 1978 Madrigal v. Quilligan case, the story follows Eva, a mother faced with the pivotal decision to join the Madrigal Ten after discovering she was unknowingly sterilized.
Wanting to highlight each individual experience, Boyd-Batstone described her heroine as “a fictional composite character” inspired by multiple plaintiffs from the Madrigal Ten.
At first glance, Eva’s story prominently resembles the experience of plaintiff Melvina Hernández.
Hernández, at 23, signed a document that allegedly consented to an emergency C-section. Fearmongering by doctors and nurses highlighted a perceieved risk of mortality, pressuring her to sign a document she couldn’t read.
Four years later, she was informed that she had actually signed for a tubal ligation.
The history of eugenics is an ugly one, acting as a form of silent genocide.
In Eva’s case, medical professionals take advantage of her. Doctors and nurses took advantage of her language barrier and the pain of child labor.
The story, while historical, is relevant in the current context of the Trump era’s immigration policies.
Last year, an ICE nurse whistleblower reported the nonconsensual mass hysterectomies of migrant women detained at the border.
“Although the court case happened over fifty years ago, we are still in a time where reproductive rights are not respected,” Boyd-Batstone said. “This is not an issue of the past, and so the fight continues.”
A mistrust that remains prevalent in the 21st century.
The Madrigal Ten is a testament to the fight for reproductive rights and women of colors’ autonomy.
In 1975, Dolores Madrigal alongside nine other women filed a class-action lawsuit against L.A. County-USC Medical Center for the nonconsensual tubal ligations that occurred during child labor.
A complicated ordeal that received little funding, 26-year-old Chicana Civil Rights attorney Antonia Hernández impressively took on the case. Boyd-Batstone who read the court documents said, “it became obvious that at the time the hospital did not have adequate steps in place to make sure their patients could give informed consent.”
Dr. Karen Benker, the only physician to testify against the hospital, told the New York Times in 2016 that “voluntary informed consent” didn’t exist in the early 70s.
That is until after the National Research Act of 1974 following public outcry from the Tuskegee study.
Following Roe v. Wade, the Madrigal Ten case sought to end the forced sterilizations of women of color, define informed consent and provide consent forms in Spanish at a reading level individuals could understand.
In 2016 PBS released a documentary on the case called “No Más Bebes,” which greatly inspired Boyd-Batstone to create For Rosa.
“The main feeling that stuck with me after watching the documentary was how much strength it must have taken these women to face someone who tried to take their identity and demand accountability,” she said.
Validating women of color’s experiences was essential for Boyd-Batstone. While the film mirrors the malpractices of the medical industry, brought upon by systematic racism and bias, she also hopes that women who have felt “diminished or uneasy around doctors” find the courage to speak out.
For Rosa, sheds light on traditional themes of womanhood and Chicana feminism.
Simultaneously, the lawsuit took place during the rise in Chicana activism.
As tensions between mainstream white feminism and women of color peaked; Chicana activists put legislative reform and reproductive justice at the forefront. Furthermore, they brought awareness to discrimination as it intersects race, class, gender, and immigration.
Though on the sidelines, the case also harbored on the cultural question of defining femininity.
Worried for the state of her marriage, the correspondence of fertility with femininity felt dense. Heavily ingrained in machismo culture; the pain and frustration of no longer being able to conceive are palpable.
But the strength and courage to speak out defies all odds.
“As women, especially Latina women, I don’t think many stories show us how to do this,” Boyd-Batstone said. “So it was important to me to, one, honor the Madrigal Ten’s bravery but [to also] show young girls what it looks like to stand up and fight for your rights.”
Though it has been nearly 50 years since the Madrigal Ten case, the fight for women’s autonomy and reproductive rights is ongoing.
On June 7, 1978, the U.S. District Court ruled in favor of the USC Medical Center. Judge Jesse Curtis stated that miscommunication and language barriers resulted in unwanted sterilizations.
Nonetheless, the lawsuit’s impact was potent. The California Department of Health revised its sterilization guidelines to include a 72-hour waiting period and issued a booklet on sterilization in Spanish.
In 1979, California abolished its sterilization law after 70 years.
More than 20,000 people of various races and ethnicities were sterilized during this time.
For Rosa ends with archival footage of Dolores Madrigal and Antonia Hernández announcing the lawsuit. Nevertheless, its timely release is indicative of the continual demands for justice today.
Now more than ever we must remember the narratives of the Madrigal Ten, and other Black and Brown activists who continue to pave the way for change.
“My hope is that For Rosa humanizes the women so that whatever culture or race or gender you are, you can empathize with the women as human beings,” Boyd-Batstone said.
“My hope is that every person who watches understands that these Latina women are deserving of respect.”
Para Rosa (For Rosa) is available to stream on HBO Max.
Look out Bad Bunny. There’s another breed of bunny in town that’s taking the internet by storm. A college student in Mexico recently went viral for the oddest thing. He has genetically engineered a strain of rabbits to be the largest in the world.
21-year-old Kiro Yakin has become a viral sensation after internet users have seen him with pictures of the giant bunnies he genetically engineered.
Yakin, a student at the Benemérita Universidad Autónoma de Puebla on the Xicotepec campus, is studying veterinary and animal husbandry. He began his experimentation by breeding two unique rabbit types together. The Flemish Giant rabbit and other, longer-eared bunnies that Yakin happened to notice. As a result, his monster-bunny was born.
According to Yakin, his experimental bunnies grow up to 22 pounds Flemish Giant, while the average Flemish giant weighs 15 pounds. But make no mistake, Yakin’s bunny experiment was no accident. “It takes an average of 3 to 4 years to reproduce this giant species,” he told Sintesis.
Yakin’s ultimate goal is to breed a rabbit that can grow up to 30 pounds. “I am currently studying genetics to see how to grow this breed of giant rabbits more,” he said.
Yakin, who has had a soft spot for rabbits since he was a child (pun intended), now cares for a whopping fifty giant rabbits out of his parents’ home.
Luckily, his parents are supportive enough of his dream that they support their son (and his bunnies) financially. “I have the financial support and support of my parents to buy food a week for all 50 giant rabbits,” Yakin told Sintesis.
But he also admitted his project has a long way to go. “So far I have not set aside the time or budget that is required to start the project more seriously,” he said.
The only thing that’s preventing Yakin from committing all his time and energy to creating even bigger bunnies is–what else?–money.
Although he already submitted a proposal to his university to try and expand his research, as of now, he is self-financed. However, Yakin makes a bit of extra cash by selling the giant bunnies to private customers.
His ultimate goal though, is to open up a large, professional farm where he can breed and cross-breed his bunnies to his heart’s content.