For Latinos in Los Angeles who grew up around lowriders, car culture is about family. It’s about the days that were spent cruising down Whittier Blvd or bumping oldies on summer nights. And, of course, it’s about the personal expression that the cars represent. Now, a new exhibit is presenting lowriders as they should be: art.
The exhibit, on display for an entire year at Petersen Automotive Museum in Los Angeles is a group show that features installations, lithographs, sculptures, drawings, paintings, photography, and, of course, cars too.
According to a press release by the Petersen Automotive Museum, the lowriders featured in the exhibit combine “automotive ingenuity and imaginative expression.”
The attention to detail is staggering. Each car tells a different story, like this Gypsy Rose Piñata lowrider by artist Justin Favela.
CREDIT: Petersen Automotive Museum, Ted7.
According to the Petersen Automotive Museum, some of the cars featured include “Our Family Car,” a 1950 Chevrolet Sedan painted by legendary artist Gilbert “Magu” Luján (who died in 2011).
A post shared by Edward Goldman (@russianedward) on
Gangster Squad ’39,” a 1939 Chevrolet Master Deluxe by Mister Cartoon.
CREDIT: Petersen Automotive Museum, Ted7.
The show also features amazing paintings and lowrider-inspired items.
CREDIT: Petersen Automotive Museum, Ted7.
“Chicano culture is so deeply intertwined with the culture of Los Angeles and automobiles represent a rich part of that,” said Terry L. Karges, Executive Director of the Petersen Automotive Museum. “We at the museum are honored to be in a position to share this vibrant and thriving culture with those who might not otherwise be exposed to it. ‘The High Art of Riding Low’ is going to be one of the most important exhibits we’ve curated.”
The show features 50 artists. We dare you to pick a favorite piece.
For the last few years, Jorge Garza has been making a name for himself in the world of art with his Aztec-inspired drawings infused with pop culture figures. Garza’s Instagram page is a showcase of his unique work that includes illustrations of Latin figures like the Chapulín and luchador fighters. He goes by the artist name Quetza as a nod to his Aztec work that he’s heavily influenced by.
Whether its the graphics, colors, and finishes in his work, Garza’s work is a testament to his knowledge and passion for Aztec art. His work showcases many sharp details and takes a classic process, from pencil sketches to digitization. While his style is varied in some ways from original Aztec style work he still includes details like the use of skulls, snakes, and details of Mexican culture. Garza also has his own online store where he showcases and sells many of his own original designs. Currently, he is working on an art book that will be focusing on his passion of Aztec/Pop Culture.
While the Northwest Indiana artist has been around for quite some time, he might have gotten his biggest moment yet as his drawing of the “Queen of Tejano” got quite the attention online. Within hours of posting his “Aztec Selena” illustration on Facebook, the image was met with overwhelming attention from fans and strangers alike.
Anytime you can pay tribute to the queen Selena you’re going to get love on social media.
His Selena artwork was quickly shared and spread across social media with many in return getting to look at Garza’s overall portfolio of work. Upon first posting the sketch on Facebook Wednesday, Garza had no clue that it would receive more than 5,000 shares and well over 3,000 likes.
“I love Aztec artwork and its been a big influence in my work,” Garza told My San Antonio. “I respect Selena and the influence she has had on Mexican-American culture so I uploaded it … and I did not expect the feedback I had. It’s overwhelming.”
He says his viral drawing is a testament to the love and adoration that Selena fans still have even after all these years after her passing. Garza had planned to draw this specific piece for years and felt like now was the perfect time to put together this tribute to the “Como la Flor” singer.
His collection of Aztec-inspired illustrations come from a special place in Garza’s heart. He grew up with a love for Mexican pre-Hispanic art that he learned about at a young age.
As a young boy living in Indiana, Garza learned about Aztec culture and the complexity of the civilizations during that time period. But it was the artwork during that time that truly inspired him to become an artist. Since then, Garza has devoted himself to learning more about Aztec graphics and culture.
While he gets inspiration from Aztec history, Garza has also thrown in a bit of his personal for pop culture into his artwork. Whether that’s including characters from X-Men, Batman, Marvel or Transformers, it’s his way of staying true to himself all while paying tribute to the past.
Besides just illustrations, Garza has shown his versatility as an artist when he previously released a horror comic called Wrath of the Giver. He’s also put out a compilation book of Aztec art and pop culture with some of his best work so far.
Fans of his work took to social media to share their appreciation for Garza’s latest illustration.
Garza has proven to be an artistic inspiration to some on social media who are praising him for his work and his tribute to Latin art. There is a growing market for pop culture-inspired work like Garza’s all over the internet and with his latest piece blowing up we’re sure this isn’t the last time we see one of his pieces circulating on social media.
For fans of Garza’s work, he’ll be at the Big Texas Comicon at the Henry B. Gonzalez Convention Center from Sept. 20-22.
An exhibition on the esteemed Mexican artists, lovers, and icons Frida Kahlo and Diego Rivera is coming to North Carolina. On October 26, the North Carolina Museum of Art will open the Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection. The anticipated exhibition will include paintings, drawings, photography and film that aims to capture the 20th century artists’ bodies of work as well as their friendships and conflicts with political figures and their own impassioned and tumultuous personal relationships.
“Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection will emphasize a remarkable chapter in art history that is at once Mexican and global,” museum director Valerie Hillings told the ArtfixDaily, a publication covering curated art news.
Today, their tempestuous relationship is as famous as some of the artists’ most popular works.
Kahlo and Rivera met in June 1928 at a party thrown by photographer Tina Modotti. At the time, a young, bold Kahlo asked Rivera to look at her paintings to see if he thought that she had enough talent to succeed. Rivera, impressed by her work, later spoke about that encounter, saying, “It was obvious to me that this girl was an authentic artist.” The pair soon started a relationship, though Rivera was 20 years older than Kahlo and already had two common-law wives. It was the start to a messy, atypical romance.
Marrying at a civil ceremony at the town hall of Coyoacán in 1929, despite the disapproval of Kahlo’s mother, their marriage included immense heartbreak.
Over the years, the couple experienced and fought over everything from failed abortions and miscarriages to ailing physical health, to extra-marital affairs, including same-gender relationships from the gender-bending Kahlo. In 1939, the couple even divorced, only to remarry a year later with little change in their passionate yet rocky affair. Aside from the infidelity, rage, and distress that brewed in their personal relationship, the pair was often also at odds with political leaders as well. As communists, the revolutionary nature of Rivera’s murals, as well as Kahlo’s self-portraits and party affiliations, often put them at odds with political and religious leaders.
“Diego Rivera’s personality, politics, and monumental, social realist murals made him a celebrity during his lifetime. While he once overshadowed his equally talented wife, Frida Kahlo’s fame has far outstripped her husband’s in the years since her death,” Hillings added.
The pieces presented at the exhibition come from the long-time collection of Jacques and Natasha Gelman. According to ArtfixDaily, the Gelmans became Mexican citizens in 1942 and at the time started amassing Mexican art. Their collection includes Mexican modernists, like Kahlo and Rivera, who became friends with the Gelmans, as well as their compatriots Rufino Tamayo, David Alfaro Siqueiros and more.
The exhibition was organized by the Vergel Foundation and MondoMostre in collaboration with the Instituto Nacional de Bellas Artes y Literatura (INBAL). It is a joint project between the North Carolina Department of Natural and Cultural Resources; the North Carolina Museum of Art Foundation, Inc.; and the William R. Kenan Jr. Endowment for Educational Exhibitions. It includes research from the Ann and Jim Goodnight/The Andrew W. Mellon Foundation Fund for Curatorial and Conservation Research and Travel.
The North Carolina Museum of Art is presenting the exhibition alongside the Luces y Sombras: Images of Mexico | Photographs from the Bank of America Collection.
Together, the fall exhibitions “celebrate these artists’ culture of origin as well as the diverse sources of influence they drew upon in creating their distinctive oeuvres,” Hillings said.
While the museum is commemorating the famed Mexican couple, not everyone is excited about the pair’s legacy. The fall exhibition comes weeks after the new U.S. ambassador to Mexico Christopher Landau criticized Kahlo for her support of Marxism, stirring controversy on social media. The ambassador, who was appointed by President Donald Trump and sworn in last month, took to Twitter last week after visiting the late Kahlo’s home, La Casa Azul, in Mexico City.
“I admire her free and bohemian spirit, and she rightly became an icon of Mexico around the whole world. What I do not understand is her obvious passion for Marxism, Leninism, Stalinism. Didn’t she know about the horrors committed in the name of that ideology?” he wrote in Spanish.
His comments immediately drew backlash from thousands of people.
Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection runs at the North Carolina Museum of Art through January 19, 2020. To recognize the native language and cultural heritage of the artists in the exhibition, gallery information will be provided in both English and Spanish.
Tickets are already available for members but will be sold to nonmembers starting on September 17.