Culture

An Elderly Woman Is Going Viral After Her Heart Warming And Crushing Poem About Immigration Had Everyone Crying

A video of a woman in Los Angeles reciting her poem about her pride in being Mexican in the U.S. is quickly going viral with Latinx from every country showing their support for her words. The video was posted by Jerry Ulloa Zatarain on Facebook and at the start of it the woman insists that the man recording gets her name – Celia – so people know who she is as she stands on a street in Los Angeles to passionately present her words. 

The viral video shows the elderly woman as she recites a poem about the history of Mexican immigration.

An elderly Lady that was interviewed in the city of Los Angeles CA

Posted by Jerry Ulloa Zatarain on Wednesday, August 28, 2019

“Por que yo soy Mexicana dicen que yo soy illegal,” she begins. “pero si tu lees la historia esta es mi tierra natal.” This translates to “Because I am Mexican they say that I am illegal. But if you read the story this is my homeland.”

Her words ring true for Mexicans considering that before the 1848 Treaty of Guadalupe-Hidalgo, Mexico owned the land that later became California, Nevada, and Utah, and portions of Arizona, New Mexico, Colorado, and Wyoming. The area was sold to the U.S. for $15 million and the treaty also officially recognized Texas as a U.S. state after it joined states in 1846. 

The treaty also states that Mexicans could retain their lands and become U.S. citizens but over time they were stripped of more than nearly 20 million acres of land by businesses, ranchers, and the U.S. Department of Agriculture among others in power.  

The powerful poem honors the immigration experience of Mexicans of the past, present, and future.

Facebook

“Pero tu, gringo Americano, tu si eres ilegal, porque yo so Mexicana aqui me voy a quedar,” she adds. “Y aunque tu pongas la barda, yo me la voy a brincar por arriba, por abajo ni cuenta te vas a dar.”

These sentiments are shared by many young Mexicans and Mexican immigrants especially in light of the immigration crisis happening at the border. With the Trump administration going after undocumented immigrants and asylum seekers, these words are needed now more than ever. According to the Pew Research Center, in 2017 there were 4.9 million undocumented immigrants from Mexico in the U.S. but of the estimated 33 million Mexicans living in the U.S., 22.3 million were born in the U.S

Long before Trump and his hateful rhetoric and border wall mongering there has been a wall (psychological and physical) separating the U.S. from Mexico. Border Patrol in the U.S. was established in 1924 and President Bill Clinton mandated the construction of a 13-mile wall between San Diego and Tijuana in 1993. By 2011, The Department of Homeland Security completed construction on 649 miles of barriers and for many, this is an affront to the beliefs that were part of the establishment of the United States. For Mexicans like Celia, it’s also a reminder of the land that once belonged to the indigenous communities that are now part of a country that is becoming more hostile to Mexican immigrants, undocumented or otherwise. 

Later Celia adds that “el Mexicano no raja, el viene aqui a trabajar” (the Mexican does not crack, he comes here to work) which is a sentiment evident in the large number of farmworkers that come from Mexico, 68 percent to be exact. The need for farm workers is so dire that even the Trump administration conceded to the demands of farmers and streamlined the H-2A visa process that allows them to work legally in the U.S. There are 27.4 million immigrant workers in the U.S., which makes up 17.1 percent of the total number of workers (undocumented or not), according to a 2018 report by the Bureau of Labor Statistics. But negative stereotypes and portrayals of Mexicans and immigrants in general as violent, lazy, and overall criminals persist. Studies consistently find that immigrants are less likely to be incarcerated than those born in the U.S.  and the crime rate actually plummeted 45 percent between 1990 and 2010 even though the overall percentage of immigrants and the number of undocumented immigrants in the U.S. both increased sharply, reported the Anti-Defamation League. 

“Dime gringo Americano, dime tu que haces aquí, si tu veniste de lejos,” Celia said. “Tu vienes de otro país, si el Mexicano es mojado, también tu lo eres aquí.” 

The fact that the U.S. is a land founded by immigrants and that should continue to welcome immigrants stands in stark contrast to the current policies and the images of families in cages going without medical care or basic necessities on the border. About a month ago, a mural called “Chained Migration.” was revealed in Las Vegas showing the State of Liberty getting arrested by U.S. Immigration and Customs Enforcement (ICE). 

For these reasons, Celia’s words have had a profound effect on those who have seen the nearly two-minute video on Facebook. 

Facebook

One commenter even translated the entire poem into English and many shared their own Mexican pride, thanking her for her words. 

She closes the poem by saying, “Y si la migra me agarra, yo me vuelvo a regresar,” she said. ” y aunque los gringos no quieran, aquí me van enterrar.” 

Celia’s words are filled with pride, passion, and defiance and in a time when the Latinx community seemingly spends more time than ever defending their rights it’s a good reminder to listen to the sage advice of our elders. 

Diego Luna Talks The Importance Of The Storytelling In ‘Narcos: Mexico’ And Why Mexico City Will Always Be His Home

Entertainment

Diego Luna Talks The Importance Of The Storytelling In ‘Narcos: Mexico’ And Why Mexico City Will Always Be His Home

Courtesy of Netflix

Netflix’s “Narcos: Mexico” Season 2 comes back to continue the story of enigmatic drug lord Miguel Ángel Félix Gallardo and the subsequent rise and fall of the Guadalajara cartel he founded in the 1970s, with Diego Luna reprising his role as the mysterious Félix Gallardo.

The show depicts how Félix Gallardo’s eloquence and strategic thinking helped him attain a swift rise to the apex of the Mexican drug cartels. 

For a man of which not much is widely known about, Luna reveals in this exclusive interview with mitú how he was able to dive into his character.

When preparing for this role, Luna said there wasn’t as much research material about El Padrino (Félix Gallardo’s alias) compared to the personal stories of other real-life personalities, such as El Chapo. 

“The good thing for me in playing this role is this man was a very discreet person, he understood the power of discretion,” Luna says.

It was important to see what people said about him—what people say or feel when they were around this character, this perception of him helps a lot. I had to do research and see what was a common answer—people talk about how intelligent and precise and strategic he was, and that’s how I wanted to portray and build this character,” Luna told mitú over the phone. 

Season 2 picks up after the murder of DEA agent Kiki Camarena, with Félix Gallardo enjoying political protection at his palatial home in Mexico.

It’s evident in the beginning scenes of this second season that his rags-to-riches story is starting to unravel and a bit of paranoia is starting to set in that he may have a knife (or gun) at his back at any moment. 

A running allegory used by the characters’ dialogues of the Roman Empire’s eventual collapse and Julius Caesar’s ultimate end foreshadows what we all know will happen to Félix Gallardo—his drug empire will eventually collapse in a smoke of cocaine dust. 

From crooked Mexican politicians and cops to ranch hands trying to make extra money delivering cocaine across the border, the show demonstrates the complicity among the cartels and how far the cartels’ reach.

“Narcos: Mexico” attempts to show that good and evil isn’t always black and white. The story highlights the gray area where even those committing corrupt acts are victims, Luna explained. 

“Some of the characters that take action are victims of the whole system,” Luna said in Spanish. 

The side of Mexico shown in “Narcos: Mexico” has been criticized by some as a side of Mexico stereotypically seen in the media.

However, Luna sees it as a side of the country that is real and must be discussed in order to move forward.

“When this season ends, I was 10 to 11 years old [at the time.] That decade was actually ending. It’s interesting to revisit that decade as an adult and research that Mexico my father was trying to hide from me [as a child],” Luna explained.

Luna says that this type of storytelling is important to understanding the fuller picture of Mexico.

The need for this type of storytelling—the stories that put a mirror up to a country to see the darkest side of itself—is vital, regardless of how complex it is to write scripts about all the facets of a country marred by political and judicial corruption. 

“In this case the story is very complex, it’s talking about a corrupt system that allows these stories to happen. We don’t tell stories like that—we simply everything. With this, I had a chance to understand that complexity. The journey of this character is a presentable journey. Power has a downside, and he gets there and he thinks he’s indispensable and clearly he is not,” Luna said. 

Outside of his role on “Narcos,” Luna is a vocal activist and is constantly working to put Mexico’s art and talent on an international stage through his work, vigilantly reminding his audience that Mexico has culture waiting to be explored past the resort walls of Cancún and Cabo. 

“The beauty of Mexico is that there are many Mexicos—it’s a very diverse country. You have the Pacific Coast that is beautiful and vibrant and really cool. By far my favorite beach spots in Mexico are in Oaxaca, and all the region of Baja California. You also have the desert and jungle and Veracruz and you have all the Caribbean coast and the city is to me a place I can’t really escape. Home is Mexico City, and it will always be where most of my love stories are and where I belong,” Luna said in a sort of love note aside to his home country. 

As much as Luna can talk endlessly about his favorite tacos in Mexico City (Tacos El Güero for any inquiring minds) and the gastronomic wonders of its pocket neighborhoods such as la Condesa, he also wants the dialogue around Mexico’s violence to be shown under a spotlight, as searing as it may be. 

“We can’t avoid talking about violence because if we stop, we normalize something that has to change,” Luna said. 

Perhaps “Narcos: Mexico” can bring some introspection and change after all. Let’s hope the politicians are watching.

READ: ‘Narcos: Mexico’ Season 2 Picks Up Where We Left Off With Félix Gallardo And The Guadalajara Cartel

Mexican Newspaper Slammed After Publishing Graphic Photos Of Woman’s Tragic Death

Things That Matter

Mexican Newspaper Slammed After Publishing Graphic Photos Of Woman’s Tragic Death

SkyNews/ Twitter

In Mexico, the recent brutal mutilation and slaying of a 25-year-old woman are spurning conversations about the country’s efforts to prevent femicide and laws that protect victims from the media.

On Sunday, Mexican authorities revealed that they had discovered the body of Ingrid Escamilla.

According to reports, Escamilla was found lifeless with her body skinned and many of her organs missing. At the scene, a 46-year-old man was also discovered alive. His body was covered in bloodstains and he was arrested.

As of this story wasn’t troubling enough, local tabloids and websites managed to bring more tragedy to the victim and her family by splashing leaked graphic photos and videos of the victim’s body. In a terribly crafted headline, one paper by the name of Pasala printed the photos on its front page with the headline “It was Cupid’s fault.” The headline is a reference to the fact that the man found at the scene was Escamilla’s husband.

According to leaked video footage from the arrest scene, Escamilla’s husband admitted to stabbing his wife after a heated argument in which she threatened to kill him. He then claimed to have skinned her body to eliminate evidence.

Mexic City’s mayor, Claudia Sheinbaum, revealed that prosecutors will demand the maximum sentence against the alleged perpetrator.

“Femicide is an absolutely condemnable crime. It is appalling when hatred reaches extremes like in the case of Ingrid Escamilla,” Sheinbaum wrote in a tweet according to CNN. According to reports, Mexico broke records in 2018 when its homicide record reached over 33,000 people that year.

The publication of Escamilla’s mutilated body has sparked discussions regarding the way in which reports about violence against women are handled.

Women’s rights organizations have lambasted the papers that originally published photos of Escamilla’s body and Mexican President Andrés Manuel López Obrador also expressed criticism of the media’s response to the brutal slaying.

In a press conference on Thursday, President López Obrador expressed his determination to find and punish anyone responsible for the image leaks. “This is a crime, that needs to be punished, whoever it is,” he stated.