Have you ever wondered how guacamole ever made its way into a worldwide phenomenon? That is, beyond the fact that of course everyone likes it because it is hella delicious. Rather, have you brushed up on your history, and could you tell us about the who, what, when, where and how of guac’s ascendency to culinary fame? We’re guessing the answer’s no, since you’re still here, reading. Well, buckle up, kids. This is the story about how the original guac recipe made its way into the English language.
The story starts with a white dude. Because of course it does.
To give you a bit of background, British-born William Dampier is the guy who put pen to paper and immortalized the first guacamole recipe in English. But, the story about how he got to that point is more interesting than it would seem. Dampier was a pirate, who started his career in 1679, in Mexico’s Bay of Campeche. This was back in the day where the gold standard of a pirate diet was basically dried beef, bread and warm beer – yeah, there’s nothing more that tastes of success than warm beer. The worst a pirate’s lifestyle lead to situations that included cannibalism and scurvy. It makes Pirates of the Caribbeansound like a picnic.
So here’s the thing. Dampier’s fascination with food is understandable. After all, it’s not like he was experiencing fine dining when he was at sea. What was a little more unusual was the fact that he decided to write about his experiences tasting the myriad of dishes he was offered throughout his travels. In fact, Dampier’s record-keeping was so meticulous that after fifteen years of piracy, he converted his notes into a bestselling novel: A New Voyage Around the World. Okay, okay, he was also probably motivated to explore a career as an author at that time because Spain had sentenced him to a year in prison. Nobody’s perfect, right?
If you’re thinking that Dampier’s story is sounding a little familiar, we’ll tell you why: he was one hell of a basic travel blogger. He literally experienced the same existential crisis we all have in our twenties, decided that the standard career paths in logging and sugar plantations weren’t for him, and then set off around the world documenting his travels. We all know that if he had access to Insta, he would’ve been killing it in the influencer game.
Dampier’s journeys saw him mix with the locals he met throughout Latin America, and that’s where he fell in love with guacamole. It was in the Bay of Panama that Dampier wrote about a fruit “as big as a large lemon … [with] skin [like] black bark, and pretty smooth.” More flavor was added to it when the ripened fruit was “mixed with sugar and lime juice and beaten together [on] a plate.” And there we have it, amigas: the OG guac recipe, in English.
Obviously, guacamole as a recipe hasn’t stayed the same since Dampier’s time. Granted, your abuelita probably puts her own special twist on her guac creations. That’s why we all love her so much – and why her guacamole recipes always keep us coming back for seconds … and thirds.
So, what crazy takes have you seen on the traditional guac? Or better yet, do you have a favorite, go-to guacamole recipe? Let us know on Facebook – you can find us through the icon at the top of the page.
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November is Native American Heritage month. And like most commemorative months dedicated to honoring the culture and history of an oppressed people in the U.S., Native American Heritage Month is an insufficient gesture. Added onto that, November is often a a time when stereotypes of Native people get reinforced. A month of supposed ‘appreciation’ and ‘honoring’ of oppressed communities, can easily turn into one replete with cultural appropriation and prejudice.
So we decided we’d round up a few things that you can do —and not do— to celebrate in a positive and healthy spirit.
1. Don’t desecrate traditional, sacred Native objects by buying or wearing them as props.
More often than not, we find ‘Native’, ‘Tribal’, or ‘Navajo’ inspired goods in stores, what you might not know is that they could be sacred Native artifacts and spiritual items. Objects like the canupa pipe or a warbonnet —commonly known as ‘headdress’— are part of Native spiritual culture and they should never be worn as a costume.
Among Native people, the warbonnet was only given to those who earned each and every eagle feather for their bravery, self-sacrifice, and great deeds of valor —doesn’t seem very appropriate to wear one as a costume or prop now, does it? Disrespecting the warbonnet is a terrible wrong and dishonors the likes of all who earned them with pride.
2. Don’t make children wear redface and reenact the re-telling of Thanksgiving.
Thanksgiving reenactments are a whitewashed version of early U.S. history. The retelling of this story only glorifies colonization when we all know that the truth isn’t so pretty. In actuality, an official “day of Thanksgiving kept in all the churches for our victories against the Pequots” was said to have been proclaimed by Massachusetts Bay governor William Bradford in 1637, celebrating the slaughter of up to 700 Pequot men, women, and children.
3. Don’t promote the fetishization of Native women.
We should all know this by now, but since not everyone acts like it, we’ll say it louder for the people in the back —Do not dehumanize women of color. We’re not your fetish and will not be devalued any longer. Reducing Native women to a fetish is oppressive and objectifying. It subjugates Native women while denying their agency.
Native women face higher rates of violence than the general population. A report last year by the National Congress of American Indians Policy Research Center found that more than half of Native women have experienced sexual violence in their lifetime and 96% of those who commit sexual violence against Native women are non-Native.
4. Don’t support racist mascots.
It’s 2019 and the sports team, Washington R*dskins, literally has a racial slur in its name. It mocks Native identity, it reinforces ignorant and racist caricatures of a whole culture.
5. Don’t pretend to know better than Native people on Native subjects.
I’d like to believe that Native people know more about being Native because well…they are Native, they’ve lived the experience daily. Native people know more about their heritage than non-Natives do and silencing their voices is equal to erasing them.
What’s more, don’t bother Natives on social media by sending them the worst instances of cultural appropriation and racial violence that you may stumble upon while scrolling. Natives who are present in online spaces see it often. Even if you mean well, for Native people, constant exposure to this sort of toxic environment is damaging and exhausting.
6. For the love of God, don’t buy culturally appropriative products from Non-Native vendors.
We’ve said it before and we’ll say it again, do not buy Native imitations at places like Urban Outfitters or other stores who have actually been on trial for stealing names, references and designs from Native people.
Under the Indian Arts and Crafts Act of 1990, “it is illegal to offer or display for sale, or sell any art or craft product in a manner that falsely suggests it is Indian produced, an Indian product, or the product of a particular Indian or Indian tribe or Indian arts and crafts organization, resident within the United States.” Violators may face civil or criminal penalties of a fine up to $250,000 or five years behind bars. Before buying goods from a purported Native vendor, ask them if they are following this law, and what tribe they belong to. It is not offensive to ask a person who claims to be Native what tribe they hail from. Tribal identification is commonplace and accepted among Natives.
7. Do teach real Native history to children and read up on works by Native scholars and authors.
Introduce real and accurate Native history —including harvest feasts—into school events. Invite Native speakers, authors and scholars to speak to students about Indigenous peoples. It’s important that children see Natives as contemporary living people who are still here.
8. Do respect Natives’ beliefs.
It’s pretty easy; respect other people’s religion and belief systems as you would your own. There are many differences among tribes, but in general, they all share a reverence for the land, for animals and plants, for the bonds of community, for the wisdom of the elderly and for the contributions of their ancestors. Their beliefs and traditions might differ from what you grew up learning, but Native perspectives are just as compelling and valuable as everyone’s, and they should be respected as such.
9. Do respect and honor Native-Veterans.
Natives have served in the U.S. military at a higher per capita rate than any other ethnic group in the 20th century, and in the military actions following September 11, 2001, Native men and women veterans served at a higher rate than veterans of all other ethnic groups, according to the Smithsonian National Museum of the American Indian. As we remember those who have given their lives in service to our country while protecting the freedoms and ideals we hold dear, many of our fellow Americans remain unaware of the major contributions Native Americans have made to our nation’s armed forces.
10. Do buy authentic Native goods sold by Native artisans and businesses.
Stores like Urban Outfitters or Anthropologie, are taking valuable business away from actual Native American artists and small businesses. Support Native American creativity, history, and legacy, and help create a much-needed economic boost in Indian Country by shopping from small, authentic Native businesses. This site has enlisted Native-owned businesses you can shop from online —now you have no excuse.
Taking inspiration from other cultures has been a trend in the fashion world since time immemorial. Cultural elements can often be found on the runway, “re-interpreted” by the fashion designer’s understanding of the culture she or he’s drawing inspiration from. From Geisha-inspired makeup and kimonos, to “tribal” and Navajo-esque designs, every fashion house has taken images or elements from other cultures to let their creativity run amok.
Taking or wearing things from a culture that is not your own —especially without crediting or showing respect to the people it belongs to, is appropriation, not appreciation.
The simplification of a culture and even the violation of a minority group’s intellectual property rights are among some of the serious issues involved around cultural appropriation —not to mention the perpetuation of stereotypes and just the plain disrespect. We went ahead and put together a list of instances in which the dominant cultures in the fashion industry have taken the liberty of “re-imagining” and drawing inspiration from minority cultures for their own gain, just to set a “trend.”
1. Victoria’s Secret misusing War Bonnets —apologizing for it, then doing it again. SMH.
In 2017, Victoria’s Secret sent a white model down the runway in their version of an American Indian War Bonnet. The incident happened 5 years after top model Karlie Kloss famously wore another insensitive “headdress” during the televised show. The company gave a weak apology after the first faux-pas and then proceeded to do it again.
This account of cultural appropriation was especially problematic given that the context hyper sexualized indigenous women. And given that more than 4 in 5 American Indian and Alaska Native women have experienced violence, and more than 1 in 2 have experienced sexual violence, the stereotype is a problematic and unhealthy one.
2. Carolina Herrera using the traditional ‘Zarape’ print
Founded, and formerly helmed by the Latina Carolina Herrera herself, this instance of cultural appropriation was a true shock to Latinos everywhere. The new creative director of the brand, Wes Gordon “took inspiration” from the Serape print originally from Saltillo, Mexico. The collection featured the colorful print and copies of Indigenous Mexican embroidery. Needless to say the people who have created this aesthetic for centuries went uncredited.
3. Isabel Marant blatantly COPIED a traditional Oaxacan garment —and went as far as to patent it.
Ok, so this one is especially wild. The French designer known for her “boho-chic” aesthetic was under fire in 2015 for literally COPYING a traditionally indigenous design, typical of Oaxaca. It was reported that the French government had issued a patent document to the authority of Santa Maria Tlahuitoltepec, Oaxaca, to prevent the inhabitants of the municipality from selling their indigenous designs —THEIR own designs, which have belonged to their peoples for centuries.
The document was said to suggest that Isabel Marant and another French company, Antik Batik, owned the patent to the embroidered blouses —and that the Mexican community of Oaxaca would need to pay copyright fees in order to sell them, which understandably enraged the local people. The two French companies were accused of plagiarism in respect of the embroidered blouses which took inspiration from the country’s artisanal designs.
4. Navajo or “tribal” prints appropriated by Urban Outfitters —and fashion in general.
In 2016 Urban Outfitters won a trademark case filed against them by the Navajo Nation. New Mexico Federal Judge Bruce D. Black accepted the hipster retailer’s trademark fair use defense, thus approving the company’s decision to brand panties, flasks, and other products as “Navajo.” As the basis to their argument, Urban Outfitter’s explained that the term has “acquired a descriptive meaning within the fashion and accessory market…the fashion industry has adopted ‘Navajo’ to describe a type of style or print.”
The Navajo Nation is a tribe rich with history and tradition, not to mention they function under their own government, and run a college and a museum on the reservation. Yet somehow, our legal system permits an entire culture to be reduced to a style of print.
5. Chanel’s grossly expensive boomerang
The boomerang is a tool used by Native Australians, and it dates back to 50,000 years ago. As aboriginal activist, Nayuka Gorrie eloquently put it: “Having a luxury brand swoop in, appropriate, sell our technologies and profit from our cultures for an absurd amount of money is ridiculous and hurtful,” she explained. “If Chanel truly want to respect Aboriginal cultures, the first place they should start is discontinue this product and issue an apology. Perhaps the next step would be supporting existing black designers.” Chanel slapped its logo on it and sold the boomerang for a whopping $1325 dollars.
6. Mara Hoffman’s “Otomi-inspired” swim collection
credit poppies and ice cream blog
The American swim and beachwear designer “designed” and entire collection —bikinis, coverups and dresses included— using Mexican Otomi embroidery and turning it into a print. The website described the design as a “colorful exotic animal print,” with no mention of the indigenous people who own and have made these designs for centuries. WTF !!! Where is the credit?
The traditional embroidery is handmade by the Otomi people in Tenango de Doria, Hidalgo, and the designs are referred to colloquially as “Tenangos.”
7. KTZ copying an Inuit design.
The London-based streetwear brand has been accused of stealing and copying indigenous designs more than once. In this occasion, it was a design from a sacred Canadian Inuit garment worn by a shaman. The design was reproduced, altered ever so slightly and released as a part of the brand’s Fall Winter collection of 2015. The famous shaman’s granddaughter complained about the appropriation resulting in the company’s half-assed apology and discontinuation of the product.
8. Nike “Huaraches”
I for one, was surprised that the general mainstream wasn’t screaming cultural appropriation at this, when people didn’t even know how to pronounce the word “huarache” smh.
Nike’s “Huarache” sneakers first of all, look nothing like the pre-Columbian indigenous shoe. The sports brand just stole the name and took Tarahumara runners as inspiration for their shoes —might’ve been nice if they had at least gifted a few pairs to the indigenous runners. You know, after Nike “took inspiration” from their culture, and all.
9. Michael Kors’ Mexican hoodie copy-cat
Some outlets reported that the black and grey hoodie “closely resembled” a Mexican sweater. Um, no, it was pretty identical. The issue was first brought to light when Santiago Perez Grovas, a photographer and architect from Mexico City, posted an image on Twitter which showed him in a sweater that looked just like the Michael Kors one.
“New collection by MichaelKors that probably costs thousands of pesos…-Sweatshirt that I bought in the market of Coyoacan two years ago for 200 pesos,” he wrote, sharing two images.
10. Everyone at Coachella
Every year at the festival we see an array of war bonnets, bindis, corn rows and many other cultural references trivialized and used as fashion props. In an attempt at looking “bohemian,” “earthy” or “vintage” —this one’s especially terrible— attendees just end up stealing other peoples sacred elements and identities to parade around while drunk. Don’t be that person.
11. Dsquared2’s “DSquaw” collection
So, twin designers Dean and Dan, originally from Canada, decided to rip-off Native American designs and send them down the runway. It doesn’t end there though. the title of the collection, “DSquaw,” drew on a derogatory term for Native American women, and the equally offensive description of the runway show’s aesthetic—”the enchantment of Canadian Indian tribes” and “the confident attitude of the British aristocracy”—was posted to the fashion brand’s Facebook.
The clothing brand released an online campaign in 2015 featuring imagery harked back to the Old West. In faded sepia tones, the ad showed a Native American sporting a feathered “headdress” and holding a rifle across his lap. The page read “Western Style” —and our eyes are rolling to the back of our heads rn.
The tone-deaf ads reduced people, actually no, entire cultures, to mere marketing props. Many called for a boycott. Dr. Adrienne Keene, a postdoctoral researcher and citizen of the Cherokee Nation, wrote in a post for Indian Country Today Media Network that Ralph Lauren had reached a “new low.”
“Ralph Lauren has been doing this my whole life,” Ruth Hopkins, a writer in her 30s who lives on the Spirit Lake Tribe reservation in North Dakota, told The Huffington Post. “He is a repeat offender. Cultural appropriation is apparently his thing.”
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