Culture

Apparently The First English Recipe For Guacamole Was Written By A Pirate And Why Aren’t We Surprised

Have you ever wondered how guacamole ever made its way into a worldwide phenomenon? That is, beyond the fact that of course everyone likes it because it is hella delicious. Rather, have you brushed up on your history, and could you tell us about the who, what, when, where and how of guac’s ascendency to culinary fame? We’re guessing the answer’s no, since you’re still here, reading. Well, buckle up, kids. This is the story about how the original guac recipe made its way into the English language.

The story starts with a white dude. Because of course it does.

Creative Commons / National Portrait Gallery

To give you a bit of background, British-born William Dampier is the guy who put pen to paper and immortalized the first guacamole recipe in English. But, the story about how he got to that point is more interesting than it would seem. Dampier was a pirate, who started his career in 1679, in Mexico’s Bay of Campeche. This was back in the day where the gold standard of a pirate diet was basically dried beef, bread and warm beer – yeah, there’s nothing more that tastes of success than warm beer. The worst a pirate’s lifestyle lead to situations that included cannibalism and scurvy. It makes Pirates of the Caribbeansound like a picnic.

So here’s the thing. Dampier’s fascination with food is understandable. After all, it’s not like he was experiencing fine dining when he was at sea. What was a little more unusual was the fact that he decided to write about his experiences tasting the myriad of dishes he was offered throughout his travels. In fact, Dampier’s record-keeping was so meticulous that after fifteen years of piracy, he converted his notes into a bestselling novel: A New Voyage Around the World. Okay, okay, he was also probably motivated to explore a career as an author at that time because Spain had sentenced him to a year in prison. Nobody’s perfect, right?

Yeah, but get to the part about guac.

Instagram / @itsfresh

If you’re thinking that Dampier’s story is sounding a little familiar, we’ll tell you why: he was one hell of a basic travel blogger. He literally experienced the same existential crisis we all have in our twenties, decided that the standard career paths in logging and sugar plantations weren’t for him, and then set off around the world documenting his travels. We all know that if he had access to Insta, he would’ve been killing it in the influencer game.

Dampier’s journeys saw him mix with the locals he met throughout Latin America, and that’s where he fell in love with guacamole. It was in the Bay of Panama that Dampier wrote about a fruit “as big as a large lemon … [with] skin [like] black bark, and pretty smooth.” More flavor was added to it when the ripened fruit was “mixed with sugar and lime juice and beaten together [on] a plate.” And there we have it, amigas: the OG guac recipe, in English.

And that brings us to the guac recipes of today.

Pinterest / Macheesmo

Obviously, guacamole as a recipe hasn’t stayed the same since Dampier’s time. Granted, your abuelita probably puts her own special twist on her guac creations. That’s why we all love her so much – and why her guacamole recipes always keep us coming back for seconds … and thirds.

Then again, we’ve also seen some pretty horrendous reincarnations of the beloved guac. Some more atrocious examples of this include adding ranch seasoning to the standard recipe, some godforsaken pineapple guacamole, a moron’s take that saw fresh peas added with a hold on the lime juice, and for whatever reason the decision to include lettuce. Oh, and let’s not forget about the pomegranate guacamole

So, what crazy takes have you seen on the traditional guac? Or better yet, do you have a favorite, go-to guacamole recipe? Let us know on Facebook – you can find us through the icon at the top of the page.

Another Fashion Week Brings Another Case Of Cultural Appropriation: This Designer Had White Models Wearing Cornrow Wigs

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Another Fashion Week Brings Another Case Of Cultural Appropriation: This Designer Had White Models Wearing Cornrow Wigs

@madisonothomas / Twitter

Fashion has a long history of pulling from and appropriating other cultures. Whether it’s in campaigns or on runways, brands and designers have made many missteps over the years —so although disappointing that this still happens in 2020, it’s not big news when each Fashion Week we hear of yet another instance of it. And this Paris Fashion Week was no exception. Japanese brand Comme Des Garcons has come under fire for sending white models wearing cornrow wigs down the runway.

Comme des Garçons has been called out for appropriating a typically black hairstyle.

People were quick to point out the cultural appropriation after the looks —which bore a close resemblance to hairstyles typically worn by black people— hit the runway, and worn by white models. Rather than every model wearing the wigs, a number of the black models who walked in the show sported their own hair.

Julien d’Ys, the hair stylist who has collaborated with designer Rei Kawakubo for many years, explained his influences on Instagram.

Citing Tutankhamen and Ancient Egypt, the hair stylist’s posts drew positive comments from fashion names including Marc Jacobs —another designer who’s also been accused of cultural appropriation after he sent models down the runway wearing dreads.

d’Ys initially chose to dismiss the criticism as “stupide.”

In a comment, in response to the mounting backlash, he posted an image of the boys featured in the show along with an apology. “My inspiration for the Comme des Garçons show was Egyptian prince a look I found truly beautiful and inspirational. A look that was an hommage (sic). Never was it my intention to hurt or offend anyone, ever. If I did, I deeply apologise.”

However, despite more than 2,000 likes for his post, many of the comments underneath were negative.

Devinpink67 said: “Looks appropriate on the handsome dark skin model, a joke on the others next to and behind it never looks right but stupidity ridiculous braids, cornrows, twist, bantu knots, afro puffs, afros, slicked baby hairs REPEAT ARE B-L-A-C-K CULTURAL RELATED.”

The wigs were part of the company’s men’s autumn and winter collection on show as part of Paris Fashion Week.

View this post on Instagram

Back in 2018, @commedesgarcons cast their first black models in over 20 years for their FW18 show, following critical comments from netizens who noticed they hadn’t featured a black model since 1994. Last night, the avant-garde Japanese label seemed to have taken a step back with their men’s show, this time putting white models in cornrow wigs. Some black models also sported the wigs, while some wore their own hair. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Vogue Runway called them “odd”, which is a curious statement in itself, considering the stigma and discrimination of natural hair and hairstyles that embrace cultural identity (braids, Bantu knots, twists and locs). It was only in 2015 that Fashion Police host Giuliana Rancic said that Zendaya’s dreadlocks at the Oscars made her look like she “smells like patchouli oil or weed”. Suffice it to say, CDG’s decision to appropriate the braided hairstyles for white models is indeed problematic. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ On the positive side, more states are legislating to ban race-based hair discrimination, following New York and California’s decision in 2019. Dieters, what do you think about the wigs at Comme des Garçons? The look on the model’s faces say it all, don’t you think? • #commedesgarcons #culturalappropriation #pfw #pfwm #pfw20 #cornrows #wig #wigs #caucasity #commepocracy #reikawakubo #adrianjoffe #discrimination #hair #naturalhairstyles #locs #locstyles #blackhair #blackhairstyles #naturallycurly #protectivestyles #goodhair #model #malemodel #avantgarde #cdgconverse #cdgplay #cdg #vogue #dietprada

A post shared by Diet Prada ™ (@diet_prada) on

Critics on social media called the styling for Friday’s show “offensive”. The infamous Instagram account diet_prada —who has become the unofficial fashion police, shared a post saying that “the avant-garde Japanese label seemed to have taken a step back with their men’s show, this time putting white models in cornrow wigs”.

Another comment under d’Ys’s post suggested: “In future, to avoid facing this heat again when taking inspiration from a culture that is not yours, PLEASE work closely with one from said culture to guide you in doing it properly.

instagram @juliendys

“Your intention might not have been to culturally appropriate Egyptian culture, however your lack of care or awareness in executing it is extremely reckless and hence why it is deemed as cultural appropriation. Education alone avoids these situations, so learn from this and keep it pushing.”

The brand sent an apology to Dazed magazine

“The inspiration for the headpieces for Comme des Garçons menswear FW’20 show was the look of an Egyptian prince. It was never ever our intention to disrespect or hurt anyone – we deeply and sincerely apologise for any offence it has caused.”

Designers often apologize in these situations after the backlash, but in the year 2020 these situations shouldn’t even happen in the first place. 

Despite the countless times brands have been called out for doing so —and the plethora of information available about how using these traditional black hairstyles on white models is appropriation, and why it matters so much— the issue still happens. 

This isn’t the first time Comme des Garcons has been called out for lack of diverse representation. 

View this post on Instagram

Back in 2018, @commedesgarcons cast their first black models in over 20 years for their FW18 show, following critical comments from netizens who noticed they hadn’t featured a black model since 1994. Last night, the avant-garde Japanese label seemed to have taken a step back with their men’s show, this time putting white models in cornrow wigs. Some black models also sported the wigs, while some wore their own hair. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Vogue Runway called them “odd”, which is a curious statement in itself, considering the stigma and discrimination of natural hair and hairstyles that embrace cultural identity (braids, Bantu knots, twists and locs). It was only in 2015 that Fashion Police host Giuliana Rancic said that Zendaya’s dreadlocks at the Oscars made her look like she “smells like patchouli oil or weed”. Suffice it to say, CDG’s decision to appropriate the braided hairstyles for white models is indeed problematic. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ On the positive side, more states are legislating to ban race-based hair discrimination, following New York and California’s decision in 2019. Dieters, what do you think about the wigs at Comme des Garçons? The look on the model’s faces say it all, don’t you think? • #commedesgarcons #culturalappropriation #pfw #pfwm #pfw20 #cornrows #wig #wigs #caucasity #commepocracy #reikawakubo #adrianjoffe #discrimination #hair #naturalhairstyles #locs #locstyles #blackhair #blackhairstyles #naturallycurly #protectivestyles #goodhair #model #malemodel #avantgarde #cdgconverse #cdgplay #cdg #vogue #dietprada

A post shared by Diet Prada ™ (@diet_prada) on

In 2018, the Japanese fashion house cast its first Black model in over 20 years. Yup, in 2018.

The last few years have seen many fashion giants accused of cultural appropriation and even racism after a series of high profile scandals. 

Gucci was embroiled in a blackface controversy last year, while Prada faced outrage over a set of racially insensitive figurines in 2018. As a result, many in the industry are taking steps to make their brands more inclusive and representative, with both Gucci and Prada hiring diversity panels in the hopes of avoiding past mistakes.

Comme des Garcons’s appropriation of traditional West African hairstyles contributes to a common trend in the fashion industry, where Black culture is used by non-Black creatives to add an “edge” to design.

There’s An Indigenous Fashion Week In Canada And OMG It Looks Incredible

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There’s An Indigenous Fashion Week In Canada And OMG It Looks Incredible

VancouverIndigenousFashionWeek / Instagram

A fashion week is a fashion industry event — pretty self-explanatory, we know. The event, as the name says it, lasts approximately one week. And it’s a platform where fashion designers, brands or “houses” display their latest collections in runway shows to buyers and the media.

These events influence trends for the current and upcoming seasons and they’re pretty notorious for being somewhat elitist, lacking in representation and inclusivity. Indigenous Fashion Week decided to take matters into their own hands and they’ve been hosting an event that presents the most progressive fashion, textiles and crafts by Indigenous artists.

At the intersection of art, fashion and culture, Indigenous Fashion Week Toronto, features works by Native Canadian women.

IFW presents Indigenous-made fashion, textiles and craft, and it’s committed to exploring the connections between mainstream fashion, Indigenous art and traditional practice through presentations for broad audiences and industries.

IFW is bold, inclusive and accessible.

This fashion week challenges perceptions of, and celebrates Indigenous people and their culture with integrity, innovation and excellence. Founder and producer Joleen Mitton says the event is about far more than just celebrating Indigenous clothing designers.

Vancouver Indigenous Fashion Week kicked off with a red dress gala in honour of missing and murdered Indigenous women and girls.

The red dress has become a symbol of resilience for many, and Mitton says that during IFW it will be featured to raise awareness about ongoing violence against Indigenous women. “That’s why the red dress event still exists,” she says. “I wish it didn’t have to, but it’s something that we keep on needing to talk about. If we can somehow tackle any issue with fashion, that’s what we’re going to do.”

The former model says she hopes the event can help create deeper connections between Canada’s Indigenous and non-Indigenous communities.

Mitton has spent years mentoring Indigenous girls who grew up in foster care in Canada and never knew much about their culture. She’s recruited some of them to be the face of the fashion show, and helped them reclaim their First Nations heritage through fashion.

The event encourages Indigenous people to openly celebrate their culture which has a long history of being subjugated in Canada.

For decades, the Canadian government banned First Nations potlatch — a traditional ceremony that included gift-giving, feasting and dancing. Today, Indigenous Fashion Week in Vancouver brings traditional regalia —from traditional patterns of blankets to capes displaying family animal crests— to the runway for all to see.

Mitton wants this Fashion Week to inspire young people and help them be proud of their culture and traditions.

“Indigenous fashion isn’t just about looking good, it’s about reclaiming parts of who we are,” said Mandy Nahanee, a First Nations storyteller and educator. “We can show our young people this is how beautiful, and amazing, and talented we are, that you should be walking down runways and standing tall with your chin up, being proud of who you are. We need everyone in the world to know that we’re still here.”