21 Funny And Annoying Things People Visiting Latin America Keep Doing

Travelling is one of the most eye-opening and wonderful experience. Getting to know other cultures makes us less self-centered and empathetic. Of course, you have to be open for this. Traveling in today’s globalized world also produces funny and annoying situations when cultures clash. These are some of the most common when people from the U.S. and white Europeans visit Latin America. The West and Latin America have a long and often adversarial relationship so you gotta be extra sensible when visiting, comprende?

1. Saying “no problemo”

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Repeat after me: “No hay problema.” The dreadful “no problemo” doesn’t make any sense. You are welcome, no hay problema.

2. Asking if people put lime on Corona to disinfect the bottle

Credit: 447134 . Digital image. From the Bar

Believe it or not, some people have been known to ask this question. Lime just gives the summery beer some freshness, because let’s be honest: it is kinda bland.

3. Wearing Frida Kahlo paraphernalia

Credit: 1798927_1. Digital image. Tee public

We get it, you are on a Latin American trip. You don’t have to be too obvious to show your love for the region. Plus, Kahlo was a devout Communist and she would have hated to have her face plastered everywhere.

4. And Che Guevara t-shirts

Credit: 1020-2-Che-Guevara-short-sleeve-T-shirt_1024x1024. Digital image. The Che Store

Did you know the United States allegedly orchestrated his death? Che is a pop culture icon for many, but for others, it is the materialization of violent political ideals.

5. Pretending as they can really take chili heat

Credit: Mirror-reporter-Chris-Bucktin-feels-the-heat. Digital image. Mirror

When waiters warn people that the food is really spicy, they often wave their hands and take a brave bite. They disguise their pain but they are not fooling anyone. Really hot chili can ruin your palate, so refrain from it!

6. And then telling war stories of how everything that comes in has to come out

Credit: pjks8745-1407298850. Digital image. The Conversation

People can get a bit too scatological when they narrate their trips. They describe burning butts and fiery poos in excruciating detail. No one cares, really. It gets worse if the culprit is a frat boy coming back from Spring Break.

7. Saying “mi casa es su casa”

Credit: 4279R__98763.1520315713. Digital image. Hand-N-Hand Designs.

Stop it! It just sounds fake and almost no one says it. Yes, Latin Americans are very generous and hospitable people, but this is not really our region’s slogan.

8. Pontificating on how good the U.S. is to the world

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World history is complicated and many Latin Americans have a complicated relationship with the U.S. and with colonial European countries. Don’t discuss politics unless you are willing to engage in serious political discussions about the U.S. or European interventionism in the region. Be prepared to leave your black and white worldview behind.

9. Using patches with the Canada flag on them to camouflage their identity

Credit: img_6938 Expat Lingo. Digital image. Expat Lingo.

Be proud of who you are. Latin Americans appreciate honesty and pretending to be from Toronto if you are from Wichita won’t really get you anywhere. You will find out that most people will be super welcoming.

10. Booking tours to get to know “the real Latin America”

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Dark tourism to places like the Brazilian favelas is just wrong: people are struggling, they are not zoo animals. Learn to respectfully appreciate cultural differences and try to understand other people’s struggles.

11. Trying to bring down the price when buying from indigenous craftspeople

Credit: IMG_3837. Digital image. Home Security Press

Indigenous merchants barely make ends meet. If an old lady is selling you a bracelet for 50 pesos give her the 50 pesos and don’t try to bring the price down. It is unjust and insulting. Just ask yourself what your minimum acceptable wage per hour would be and think that this person probably spent hours making their product. See the point?

12. Being “funny” by quoting The Three Amigos

Credit: the-three-amigos. Digital image.  Just Watch

Yes, the classic Steve Martin movie is funny, but we don’t appreciate being laughed at… and not all Latin Americans are Mexican.

13. Calling the United States “America”

Credit: CRhWYvoUAAAWkDN. Digital image. Twitter

Let us get this straight: America is a continent that stretches from Canada to Argentina. The United States is a country. Two very different things. We are all Americans.

14. Fearing Montezuma and his revenge

Credit: blog-0739102001530238746. Digital image. AtariAge

If you think you are going to get sick with everything you eat and run to the first fast food restaurant you see (McDonald’s, Kentucky Fried Chicken, etc… yes, we do have them in Latin America), you will miss out on a fundamental aspect of traveling: eating. Food is culture, chaparritos.

15. Try to pick up Latinas with silly or gross pickup lines

Credit: man-hitting-on-woman. Digital image. Slosh Spot.

Thinking that gorgeous women are gonna fall at your feet just because you are a foreigner is a big mistake and a big misconception. Plus, it perpetuates colonial attitudes that Latinas are just sick and tired of. Woo them like a gentleman.

16. Asking for burritos anywhere South of the Border. Get a taco or an arepa or something authentic for a change.

Credit: taco-vs-burrito-620×350. Digital image. Versus Battles.

Burritos are really a Tex-Mex thing and are only consumed in some regions of Northern Mexico. If you go to Argentina and order one they will probably laugh at you… or worse (Argentinians do take their food quite seriously).

17. Wear ponchos and sombreros… dude, just don’t

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Do not dress up as other cultures. It is in bad taste and it is insulting.

18. Describe Latin American poverty as “exotic” and “interesting”

Credit: 1_rtUPkEUuf8GQXaNs7VLnqw. Digital image. Medium.

If you come back from your Latin American adventures with a renewed sense of responsibility and care for humankind that’s awesome. But if you come back thinking that poverty is “interesting”… then shame on you. Be respectful and don’t just shove your camera on people’s faces.

19. Buy cheap “authentic” souvenirs Made in China

Credit: ArtesaniasXcaret. Digital image. Blog Xcaret.

All the moms and aunties want some memento from an exotic Latin American trip right? So people tend to buy ugly reproductions of Inca and Aztec idols that are made from plastic in China. Do the research and find the authentic souvenirs that help the people.

20. Asking about the drug cartels everywhere they go

Credit: Narcos: Mexico. Netflix.

Wouldn’t you be tired if people asked about your country had to do with traumatic experiences and death? Yes, the cartels exist and are a problem, but Latin America is so much more than its violence.

21. Saying they like real Latino music and bring up Ricky Martin

Credit: e9ffffebc6afc97c68f1ab8b3a0716627a44c97547adc7bc67e4074dd1a2cd8a. Digital image. QuickMeme.

Nothing against our dear Ricky, but Latin American music is far more than that and reducing it to pop phenomenon of two decades ago is not that nice. Try listening to some Rubén Blades, güeritos. Or some Celso Piña.

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This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi


This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

On a recent episode of ABC’s game show To Tell The Truth, three celebrity panelists were tasked to uncover the identity of a real mariachi singer.

Each contender embodied “non-traditional” attributes of mariachi culture either through physical appearance or language barriers, leaving the panelists stumped.

When it came time for the big reveal, with a humble smile 53-year-old Timoteo “El Charro Negro” stood up wowing everyone. Marveled by his talents, Timoteo was asked to perform unveiling his smooth baritone voice.

While not a household name in the U.S., his career spans over 25 years thriving on the catharsis of music.

Timoteo “El Charro Negro” performing “Chiquilla Linda” on Dante Night Show in 2017.

Originally from Dallas, Texas, Timoteo, born Timothy Pollard, moved to Long Beach, California with his family when he was eight years old. The move to California exposed Pollard to Latin culture, as the only Black family in a Mexican neighborhood.

As a child, he recalled watching Cantinflas because he reminded him of comedian Jerry Lewis, but musically he “got exposed to the legends by chance.”

“I was bombarded by all the 1960s, ’70s, and ’50s ranchera music,” Timoteo recalls to mitú.

The unequivocal passion mariachi artists like Javier Solis and Vicente Fernandez possessed heavily resonated with him.

“[The neighbors] always played nostalgic music, oldies but goodies, and that’s one thing I noticed about Mexicans,” Timoteo says. “They can be in their 20s but because they’ve grown up listening to the oldies it’s still very dear to them. That’s how they party.”

For as long as he can remember, Pollard “was born with the genetic disposition to love music,” knowing that his future would align with the arts.

After hearing Vicente Fernandez sing “Lástima Que Seas Ajena,” an awakening occurred in Pollard. While genres like hip-hop and rap were on the rise, Pollard’s passion for ranchera music grew. It was a moment when he realized that this genre best suited his big voice.

Enamored, Pollard began to pursue a career as a Spanish-language vocalist.

El Charro Negro
Photo courtesy of Timothy Pollard.

At 28, Timoteo began learning Spanish by listening and singing along to those artists he adored in his youth.

“When I decided that I wanted to be a mariachi, I didn’t think it was fair to exploit the culture and not understand the language,” he says. “If I’m going to sing, I need to be able to communicate with my audience and engage with them. I need to understand what I’m saying because it was about honor and respect.”

Pollard began performing local gigs after picking up the language in a matter of months. He soon attracted the attention of “Big Boy” Radio that adorned him the name Timoteo “El Charro Negro.”

Embellishing his sound to highlight his Black heritage, Pollard included African instruments like congas and bongos in his orchestra. Faintly putting his own spin on a niche genre, Pollard avoided over-saturating the genre’s sound early in his career.

Embraced by his community as a beloved mariachi, “El Charro Negro” still encountered race-related obstacles as a Black man in the genre.

“There are those [in the industry] who are not in the least bit thrilled to this day. They won’t answer my phone calls, my emails, my text messages I’ve sent,” he says. “The public at large hasn’t a problem with it, but a lot of the time it’s those at the helm of decision making who want to keep [the genre] exclusively Mexican.”

“El Charro Negro” persisted, slowly attracting fans worldwide while promoting a message of harmony through his music.

In 2007, 12 years into his career, Pollard received a golden ticket opportunity.

El Charro Negro
Pollard (left) seen with legendary Mexican artist Vicente Fernandez (right) in 2007. Photo courtesy of Timothy Pollard.

In a by-chance encounter with a stagehand working on Fernandez’s tour, Pollard was offered the chance to perform onstage. The singer was skeptical that the offer was legit. After all, what are the chances?

The next day Pollard went to his day job at the time and said, “a voice in my head, which I believe was God said, ‘wear your blue velvet traje tonight.'”

That evening Pollard went to a sold-out Stockton Area where he met his idol. As he walked on the stage, Pollard recalls Fernandez insisting that he use his personal mic and band to perform “De Que Manera Te Olvido.”

“[Fernandez] said he did not even want to join me,” he recollects about the show. “He just was kind and generous enough to let me sing that song on his stage with his audience.”

The crowd applauded thunderously, which for Pollard was a sign of good things to come.

El Charro Negro
Timoteo “El Charro Negro” with Don Francisco on Don Francisco Presenta in 2011. Photo courtesy of Timothy Pollard.

In 2010, he released his debut album “Me Regalo Contigo.” In perfect Spanish, Pollard sings with great conviction replicating the soft tones of old-school boleros.

Unraveling the rollercoaster of relationships, heart-wrenchingly beautiful ballads like “Me Regalo Contigo” and “Celos” are his most streamed songs. One hidden gem that has caught the listener’s attention is “El Medio Morir.”

As soon as the track begins it is unlike the others. Timoteo delivers a ’90s R&B love ballad in Spanish, singing with gumption as his riffs and belts encapsulate his unique sound and story.

Having appeared on shows like Sabado Gigante, Don Francisco Presenta, and Caso Cerrado in 2011, Timoteo’s career prospered.

Timoteo hasn’t released an album since 2010 but he keeps his passion alive. The singer has continued to perform, even during the Covid pandemic. He has high hopes for future success and original releases, choosing to not slow down from his destined musical journey.

“If God is with me, who can be against me? It may not happen in a quick period of time, but God will make my enemies my footstool,” he said.

“I’ve continued to be successful and do some of the things I want to do; maybe not in a particular way or in particular events, but I live in a very happy and fulfilled existence.”

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Exclusive: Luis Fonsi Talks Working with Rauw Alejandro, Christina Aguilera, and Demi Lovato


Exclusive: Luis Fonsi Talks Working with Rauw Alejandro, Christina Aguilera, and Demi Lovato

Luis Fonsi is kicking off 2021 with a new single. The Puerto Rican superstar premiered the music video for “Vacío” on Feb. 18 featuring rising Boricua singer Rauw Alejandro. The guys put a new spin on the classic “A Puro Dolor” by Son By Four.

Luis Fonsi throws it back to his románticas.

“I called Omar Alfanno, the writer of ‘A Puro Dolo,’ who is a dear friend,” Fonsi tells Latido Music. “I told him what my idea was [with ‘Vacío’] and he loved it. He gave me his blessing, so I wrote a new song around a few of those lines from ‘A Puro Dolor’ to bring back that nostalgia of those old romantic tunes that have been a part of my career as well. It’s a fresh production. It sounds like today, but it has that DNA of a true, old-school ballad.”

The world got to know Luis Fonsi through his global smash hit “Despacito” with Daddy Yankee in 2017. The remix with Canadian pop star Justin Bieber took the song to new heights. That was a big moment in Fonsi’s music career that spans over 20 years.

There’s more to Fonsi than “Despacito.”

Fonsi released his first album, the fittingly-titled Comenzaré, in 1998. While he was on the come-up, he got the opportunity of a lifetime to feature on Christina Aguilera’s debut Latin album Mi Reflejo in 2000. The two collaborated on “Si No Te Hubiera Conocido.” Luis Fonsi scored multiple Billboard Hot Latin Songs No. 1s in the years that followed and one of the biggest hits was “No Me Doy Por Vencido” in 2008. That was his career-defining romantic ballad.

“Despacito” remains the second most-viewed music video on YouTube with over 7.2 billion views. The hits did not stop there. Later in 2017, he teamed up with Demi Lovato for “Échame La Culpa,” which sits impressively with over 2 billion views.

He’s also appearing on The Voice next month.

Not only is Fonsi working on his new album, but also he’s giving advice to music hopefuls for the new season of The Voice that’s premiering on March 1. Kelly Clarkson tapped him as her Battle Advisor. In an exclusive interview, Fonsi talked with us about “Vacío,” The Voice, and a few of his greatest hits.

What was the experience like to work with Rauw Alejandro for “Vacío”?

Rauw is cool. He’s got that fresh sound. Great artist. Very talented. Amazing onstage. He’s got that great tone and delivery. I thought he had the perfect voice to fit with my voice in this song. We had talked about working together for awhile and I thought that this was the perfect song. He really is such a star. What he’s done in the last couple of years has been amazing. I love what he brought to the table on this song.

Now I want to go through some of your greatest hits. Do you remember working with Christina Aguilera for her Spanish album?

How could you not remember working with her? She’s amazing. That was awhile back. That was like 1999 or something like that. We were both starting out and she was putting out her first Spanish album. I got to sing a beautiful ballad called “Si No Te Hubiera Conocido.” I got to work with her in the studio and see her sing in front of the mic, which was awesome. She’s great. One of the best voices out there still to this day.

What’s one of your favorite memories of “No Me Doy Por Vencido”?

“No Me Doy Por Vencido” is one of the biggest songs in my career. I think it’s tough to narrow it down just to one memory. I think in general the message of the song is what sticks with me. The song started out as a love song, but it turned into an anthem of hope. We’ve used the song for different important events and campaigns. To me, that song has such a powerful message. It’s bigger than just a love song. It’s bringing hope to people. It’s about not giving up. To be able to kind of give [people] hope through a song is a lot more powerful than I would’ve ever imagined. It’s a very special song.

I feel the message is very relevant to the COVID-19 pandemic we’re living through.

Oh yeah! I wrote that song a long time ago with Claudia Brant, and during the first or second month of the lockdown when we were all stuck at home, we did a virtual writing session and we rewrote “No Me Doy Por Vencido.” Changing the lyrics, kind of adjusting them to this situation that we’re living now. I haven’t recorded it. I’ll do something with it eventually. It’s really cool. It still talks about love. It talks about reuniting. Like the light at the end of the tunnel. It has the hope and love backbone, but it has to do a lot with what we’re going through now.

What do you think of the impact “Despacito” made on the industry?

It’s a blessing to be a part of something so big. Again, it’s just another song. We write these songs and the moment you write them, you don’t really know what’s going to happen with them. Or sometimes you run into these surprises like “Despacito” where it becomes a global phenomenon. It goes No. 1 in places where Spanish songs had never been played. I’m proud. I’m blessed. I’m grateful to have worked with amazing people like Daddy Yankee. Like Justin Bieber for the remix and everyone else involved in the song. My co-writer Erika Ender. The producers Mauricio Rengifo and Andrés Torres. It was really a team effort and it’s a song that obviously changed my career forever.

What was the experience like to work with Demi Lovato on “Echáme La Culpa”?

She’s awesome! One of the coolest recording sessions I’ve ever been a part of. She really wanted to sing in Spanish and she was so excited. We did the song in Spanish and English, but it was like she was more excited about the Spanish version. And she nailed it! She nailed it from the beginning. There was really not much for me to say to her. I probably corrected her once or twice in the pronunciation, but she came prepared and she brought it. She’s an amazing, amazing, amazing vocalist.

You’re going to be a battle advisor on The Voice. What was the experience like to work with Kelly Clarkson?

She’s awesome. What you see is what you get. She’s honest. She’s funny. She’s talented. She’s humble and she’s been very supportive of my career. She invited me to her show and it speaks a lot that she wanted me to be a part of her team as a Battle Advisor for the new season. She supports Latin music and I’m grateful for that. She’s everything you hope she would be. She’s the real deal, a true star, and just one of the coolest people on this planet.

What can we expect from you in 2021?

A lot of new music. Obviously, everything starts today with “Vacío.” This is literally the beginning of what this new album will be. I’ve done nothing but write and record during the last 10 months, so I have a bunch of songs. Great collaborations coming up. I really think the album will be out probably [in the] third or fourth quarter this year. The songs are there and I’m really eager for everybody to hear them.

Read: We Finally Have A Spanish-Language Song As The Most Streamed Song Of All Time

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